Ghost Cult caught up with Bruce Lamont of the long-running Chicago-based avant-guard Doom Metal band Yakuza! Their new album “Sutra” was recently released via Svart Records, and we chatted with Bruce all about the album, the current lineup’s contributions as a team, Bruce’s evolving approach to saxophone and vocals, his lucrative other gig in the Led Zeppelin tribute band Led Zeppelin 2, vinyl releases, and much more! Continue reading
The duo of Divide and Dissolve are passionate about their beliefs. The question we shall explore here is does that equate to effectively making memorable music? Many musicians have strong beliefs that they feel drives their passion to create and having a conviction about those beliefs is admirable.
Over the last few years, we have been lucky to see so many collaboration albums between two bands/artists that absolutely knock it out of the park. The latest mashup comes in the form of Boris and Uniform putting together what they call, Bright New Disease (Sacred Bones). Through nine tracks at just over thirty-two minutes, each track has its own footprint for the greater collection. Punk, industrial, thrash, doom, and noise pop up throughout the record but not one influence really ever takes the spotlight more than another.
The trajectory of the Greek sludge/post-metal unit Allochiria’s career started pretty long ago in 2008. To this day, they have released a self-titled EP and three full-length LPs to note. While being strong on post-metal coded slow-paced progressions, they also incorporate a touch of hardcore nuance manifested by how vocalist Irene presents inclement blackened growls on their songs. And, so, they are back on releasing a full-length, which is also their third one, titled Commotion via Venerate Industries.
Helen Money, aka Alison Chesley, is a cellist who has worked with some pretty heavy hitters in the alternative/underground scenes including Jarboe, Bob Mould, Steve Albini, and Neurosis. In addition to these, she has also released music as part of the band Verbow and as a composer for film, theatre, and dance.
Darling the Dawn (Constellation Records) is the debut album by long-time collaborative duo Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion) as ALL HANDS_MAKE LIGHT. For forty-four minutes of vocal-driven electronic droning — combining the melodic tones of Engle with the “noise” (as the credits put it) of Menuck — there’s less of a sense of being taken from A to B, but rather being given the warm blanket of a trance to lie in.
One of the many things to appreciate about Sunrot’s second full-length is the opener, ‘Descent.’
Not only is the title extremely indicative of the track – and the record, The Unfailing Rope (Prosthetic Records), as a whole – it also gets right to the point of what the New Jersey-based sludge metal/noise band is trying to achieve: uneasiness and mind play.
Puscifer will always be best known as one of the many creative outlets for Tool / A Perfect Circle vocalist Maynard James Keenan, and as an avenue for the most obscure depths of his musical creativity. But the band has always been a collaborative affair, with Keenan working alongside many different artists over the years, with their albums subsequently always providing an infusion of many different ideas and experiences. Existential Reckoning : Rewired (Puscifer Entertainment / Alchemy Recordings/ BMG) is the remix accompaniment to their 2020 album, which itself was a typically avant-garde electro-rock melting pot of futuristic and otherworldly sounds.
Tom Osman in case you weren’t aware is a writing colleague over here at Ghost Cult and looking at the albums he’s reviewed previously, I can see he has a tendency towards for the most part the more esoteric and avant-garde as evidenced by names such as REZN, Fågelle, Soothsayer Orchestra, Holy Fawn and Black Magnet. Prior to Industrial State of Mind (Drama Recorder), Tom had recorded and released the so much for all in a day’s work album in the early part of 2022.
Sharing their name with the 1999 album by their “main band” gothic metal veterans Paradise Lost, Host is a goth rock project of vocalist Nick Holmes and guitarist Greg Mackintosh that allows the duo to delve deeply into their shared love of dark, eighties new wave sounds. All through the duo’s debut album IX (Nuclear Blast) — listeners will hear just as many (if not more) allusions to dark synth bands of the time like Depeche Mode, as they will to the group that Holmes and Mackintosh made their names with. The result is a very well-made and fairly consistent album that isn’t breaking any boundaries.