ALBUM REVIEW: Laceration – I Erode


See-sawing from old-school Death Metal to ferocious Thrash Metal, Laceration pack nine tracks into I Erode (20 Buck Spin), showcasing both proficient musicianship and in-sync performances.Continue reading


ALBUM REVIEW: Show Me A Dinosaur – Plantgazer (2024 Reissue)


We are into the second half of 2024 and what a year it has been for new music! Even some of the reissues of older recordings coming out so far have been really good. The latest that deserves attention is the 2020 topical album about isolation and loneliness during the COVID Lockdowns, Show Me A Dinosaur’s Plantgazer (AOP Records). The Saint Petersburg post-Black Metal outfit toys with your emotions for nearly forty-five minutes. All while a “fictitious” man lives out his days in lockdown staring at his home plants, pondering about life under the new normal.Continue reading


ALBUM REVIEW: Uprising – III


The artist known simply as W. may not reveal much in the way of an identity, but their musty Black Metal outfit Uprising hits the mark on so many different occasions on III (AOP Records). The strong synergy results in songs that sound like they’re performed by an entire band.Continue reading


ALBUM REVIEW: Orange Goblin – Science, Not Fiction


Following the path blazed by bands like Kyuss and Monster Magnet who emerged from the Grunge scene, Orange Goblin was one of the main bands who kept the bong songs in rotation to help cement the sound we think of today as Stoner Metal.Continue reading


ALBUM REVIEW: Through Mists – Branches


Even after nearly half a dozen playthroughs, it’s still a challenge identifying a common thread in which to weave together the five tracks of Branches (Self-Released), the latest output from Through Mists’ mastermind James Aniston.Continue reading


SPLIT REVIEW: DISKORD/ATVM – Bipolarities


I’ve been finding lately that splits coming out in the last several years have been reminding everyone why they are a cool, and slightly more affordable, way to showcase music for the masses. DISKORD and ATVM teamed up to put together thirty-five minutes of their brands of death metal on this collective effort, forever known as Bipolarities (Transcending Obscurity Records). Continue reading


ALBUM REVIEW: Akhlys – House Of The Black Geminus


Over the past nine years since releasing The Dreaming, things changed for this band. Changed in the best way possible as Akhlys’ new album House Of The Black Geminus (Debemur Morti Productions) features a darker, more intricate layering of sounds, at least on the opening track of their new album. Continue reading


ALBUM REVIEW: Maudissez – Maudissez


What Maudissez are able to do with instruments (at least I assume they’re instruments) is unsettling to the nth degree.

The anonymous and self-described anti-Christian blackened sludge-cum-Death/Doom entity doesn’t simply make music; the four tracks featured within Maudissez (Sentient Ruin Labs) are as raw as a mooing filet mignon. Continue reading


ALBUM REVIEW: Xasthur – Disharmonic Variations


Dark folk is an all-around enthralling genre with a wide range of well-known names, from Vàli to Ulvesang, but recently, what especially has been catching my attention is the new release from Xasthur – namely Disharmonic Variations, out via Lupus Lounge. Specializing in Black Metal and avant-garde releases, the label has worked with various names of note, including Nachtmystium and Austere.Continue reading


ALBUM REVIEW: Amarok – Resilience


Funeral Doom is one of the more difficult subgenres of heavy music to get into. Hell, I am not even sure if I can say I am a fan of the subgenre, moreso some bands or even some albums by said bands. 

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