ALBUM REVIEW: Fohn – Condescending


The worst that can happen by pairing two contrasting ideas is it doesn’t sound or feel pleasing or appropriate.Continue reading


ALBUM REVIEW: Malconfort – Humanism


In a world where you can never keep on top of everything being released, we can be pretty confident that there isn’t anything else in 2024 quite like Malconfort and the band’s debut, Humanism (Transcending Obscurity Records).Continue reading


ALBUM REVIEW: Xasthur – Disharmonic Variations


Dark folk is an all-around enthralling genre with a wide range of well-known names, from Vàli to Ulvesang, but recently, what especially has been catching my attention is the new release from Xasthur – namely Disharmonic Variations, out via Lupus Lounge. Specializing in Black Metal and avant-garde releases, the label has worked with various names of note, including Nachtmystium and Austere.Continue reading


CLASSIC ALBUMS REVISITED: Slipknot – “Vol. 3: (The Subliminal Verses)” Turns 20


The album that would become Slipknot’s third album, and the crucial masterpiece in their history, almost didn’t happen at all. Between the hard-fought success of Iowa (Roadrunner Records), the well-documented interpersonal relationship issues between the nine band members, rising fame and pressure, side bands like Stone Sour, To My Surprise, and Murderdolls, and “off the field issues,” you couldn’t blame this band if they imploded totally around this time. However, overcoming themselves and all of these obstacles; Slipknot’s Vol. 3 (The Subliminal Versus) (a great pun on Salman Rushdie’s controversial book, The Satanic Verses,  is one of their best albums, along with their debut might be their finest hour. It is certainly their biggest hit album on a lot of levels. It yielded six singles and as we like to say on the Glacially Musical podcast (where we reviewed this album), an album has a bunch of singles if it’s selling and the band is doing well on tour. Continue reading


ALBUM REVIEW: BIG|BRAVE – A Chaos Of Flowers


Hot on the heels of 2023’s excellent Nature Morte, experimental doomgazers BIG|BRAVE release their sixth full-length record, A Chaos Of Flowers (Thrill Jockey Records). Continue reading


ALBUM REVIEW: Mario Lalli and The Rubber Snake Charmers – Folklore From The Other Desert Cities


Mario Lalli is a legend in the Desert Rock scene whose career started in the mid-eighties with a short-lived outfit, Across the River. From there, he’d form Yawning Man and then Fatso Jetson, (the latter with brother Larry and who’d put out their first couple of releases on the legendary SST Records label). Other bands such as

 would come and go over the years, not to mention a never-ending raft of guest appearances. Continue reading


ALBUM REVIEW: Kollapse – AR


The newest offering from Kollapse is by no means something that should be consumed whilst in a distraught headspace. AR (Fysisk Format Records) is as much an introspection as it is a complex collection of seven Noise Rock, Sludge, and experimental tracks from the Danish trio. Continue reading


ALBUM REVIEW: Atreyu – The Beautiful Dark of Life


With music festivals leaning into the resurfacing of Myspace-era nostalgia, it is not surprising these guys have a new album out. Atreyu’s newest effort The Beautiful Dark of Life (Spinefarm Records) not only revives the head-banging brand of emo your “top 8” friends were once into, but it picks up where they left off with 2021’s BaptizedContinue reading


ALBUM REVIEW: Racetraitor – Creation and the Timeless Order of Things 


 

In dire times of crisis and injustice caused by oppressive systems, the least we can do is to voice our aspirations through the creative media that we have going and that’s what the hardcore unit Racetraitor have been doing. Racetraitor has always been a band that’s ahead of their time – voicing opinions on systemic racism and white privilege before they were even often discussed in a large audience.

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EP REVIEW: The Amenta – Plague of Locus


 

When a new review arrives in my inbox, I often listen to the music first before reading any release info from the band. I like to let the music do the talking before I check out any info from the PR agent. It wasn’t until I read the release info did I come to notice that The Amentia’s latest release Plague of Locus (Debemur Morti) contains a bunch of cover songs. Clearly, The Amentia were able to take a few tracks from bands that inspired them and to transform them into songs of their own.

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