In an astoundingly potent year for hardcore that is seeing beautiful and passionate efforts from so many bands from Gel to Fiddlehead to the upcoming Filth Is Eternal release, the return of Connecticut hardcore band With Honor is still a cause to celebrate.
The most impressive thing about Shade Empire’s new album Sunholy (Candlelight Records) is the range of dynamics it incorporates. However, if you need this to be a Black Metal album you might need to go hunt down the new Taake album or wait for Mayhem’s album to drop, but if you are open to metal that is melodic and offers a great deal of sonic colors then hear me out…
Scientists generally agree that the Big Bang, which occurred roughly 13.7 billion years ago, kick-started the creation of the universe as we know it today. Well, now we also know what the Big Bang sounded like.
Talent-wise, the sisters of ALT BLK ERA are well beyond their years even if lyrically, it’s just about as cringe-worthy as anyone’s high school diary. Hearing the “nobody understands me” cliche from actual teenagers instead of balding middle-aged men trying for a new demo is a very refreshing change, though!
There’s just something about the last handful of years and releases that are classified as either crossover Thrash or Metallic Hardcore that absolutely kills it. Moreso, when an album drops that has a mix of both of these subgenres, like the UK-based Guilt Trip, it’s just everything you want out of aggressive music on a bad day. With that, unleashed onto the world is Severance (via Malevolence’s label, MLVLTD), Guilt Trip’s sophomore full-length, an album that puts you through the grinder and spits you out for thirty-four minutes.
For ten years, Head Cleaner stewed in the grindcore pot, leaving fans wondering what was in store next. The product of that decade of inactivity is an eleven-track, sub-twenty-five-minute onslaught that eloquently calls back to the origins of grindcore and the pioneers who paved the way for such an extreme sub-genre.
A decade back, Heart of a Coward were one of the rising stars in the UK metal scene, having just released their second album Severance. The band were looked on to be the next big thing when it came to metalcore, and when they followed that up with the highly acclaimed Deliverance, these previous assertions felt cemented in. Alongside their peers in Architects, Bury Tomorrow and While She Sleeps, the stage was set for Heart of a Coward to join the ranks part of this leading new class.
Most of the world is oblivious to the fact nuclear war is closer to reality now than it was during the Cold War. Thus the increasing need for music that taps into the subconscious to remind us of the grim future looming. 3TEETH’s fourth album “EndEx” (Century Media) has all the End Times anxiety you want. The Los Angeles-based band remains consistent in their sonic vision. They work off of industrial strength grooves to pump the lifeblood of their sound to these songs.
Having reviewed Grave Pleasures‘ Plagueboys for Ghost Cult earlier this year, as a Mat McNerney fan I was excited to see he had another record out, this time via his folk-orientated project Hexvessel.
Satellite Aphrodite (Deathwish Inc.) is the debut album from Oklahoma’s Mad Honey, a four-piece who are variously described as dream-pop, shoegaze, indie and glitter rock (whatever that is).