German instrumental three-piece ZAHN (featuring members of Einstürzende Neubauten and Heads) combines musical elements that might seem strange on paper, but make perfect sense on record.
Tag Archives: Post Rock
ALBUM REVIEW: Silent Planet – SUPERBLOOM
California quartet Silent Planet is known for their unique take on metalcore that continues to lead them to victory, earning them respect and fans from all over the metal spectrum. Their enticing, story-like method of songwriting is what sets them apart from their peers. When vocalist Garrett Russell delivers the lyrics, he does more than just perform a song – he vividly and theatrically illustrates the sinister world that embodies Silent Planet, all while the instrumentals set the stage for every scene, brewing build-up, thunderous climax, and desolate aftermath.
EXCLUSIVE ALBUM PREMIERE: Occult Hand Order – “Silence By The Raging Sea”
France’s Psychedelic Heavy Doom power trio Occult Hand Order will release their new album, Silence By The Raging Sea, tomorrow, October, 20th, 2023. The band has teamed up with Ghost Cult to bring you the full album stream! Following two solid EP’s the band is ready to go to the next level on Silence By The Raging Sea. In addition two impressive singles already releases (“Sink” and “Sailors”), the album was recorded and mixed by Roman Peyr in Chasseneuil, France, and mastered by Magnus Lindberg (Cult Of Luna). Stream the new album here: Continue reading
ALBUM REVIEW: KEN Mode – VOID
With spoken word poetry recitations comparable to Allen Ginsberg’s Howl and strong emphasis on immense existential dread, KEN Mode returns with their newest studio album VOID, released via Artoffact Records, the band’s ninth studio album.
ALBUM REVIEW: Blodet – Death Mother
Death Mother (Church Road Records) is the debut full-length from Sweden’s Blodet, and it arrives after the tragic death of their guitarist Rickie Paleski-Östland, who contributed to the writing of the album. In spite of the inevitably difficult process of getting the record finished, it is nevertheless described as “cathartic”, “mesmerising”, and “alluring” by the press release which also draws comparisons to Chelsea Wolfe, Cult of Luna, and Sonic Youth.
INTERVIEW: Kambodsja Shares Their Thoughts on Musicianship and the Creative Process of “Resilient”
Hailing from the city of Drammen in Norway, Kambodsja describe the alignment of their own sounds as indie-prog-punk-metal, with a touch of post-hardcore and math rock. Think of the Swedish legends Refused, but converged altogether with elements of good old ‘70s prog rock as well as influences from a wide range of artists from Manic Street Preachers to And So I Watch You From Afar. Refusing to conform to certain conventional musical dogmas, the sounds that Kambodsja present happen to be ever-transcendent and all-around eclectic; making the creative process of their music not limited to conforming to certain genre boundaries but rather, making it about intricate explorations.
ALBUM REVIEW: An Autumn For Crippled Children – Closure
Despite the mystique around the band itself (with the identity of the members largely unknown), musically The Netherland’s An Autumn For Crippled Children have been consistent and mostly familiar. Across the span of ten full-length albums, their sound has hardly deviated at all but has shown signs of refinement in the past, with their brand of post-Rock and shoegaze-tinged Black Metal being both despairing and simultaneously almost comforting with the consistency.Continue reading
ALBUM REVIEW: Din of Celestial Birds – The Night is for Dreamers
Vocals and vocalists. They can be the secret weapon that elevates a piece of music into a higher realm, that gives a band a key component to their identity, that once heard you couldn’t imagine them without. They can be a deal breaker too — the ear sore that spoils the whole experience. Sometimes they’re just bland as a wet paper bag. But a voice is a voice. They all say something. They all have a message to convey (even when the message is “sha la la la la”).
INTERVIEW: Robin Staps of The Ocean Collective Talks “Holocene” and More!
Ghost Cult’s Weslie Negrón interviewed Robin Staps of The Ocean Collective – all about their new album “Holocene” out now via Robin’s own Pelagic Records. Robin discussed the return to touring, creating this different-sounding album from the band, how they create together, the non-stop pace of the music business, and the next album from the band, already in the works!
ALBUM REVIEW: The Ocean – Holocene
Hailing from the artistic and musically cultural hub of Berlin, The Ocean are certainly no ‘ordinary’ band. Founded in 2000 by guitarist and principal songwriter Robin Staps, the collective have released a staggering amount of fine music, with around forty different musicians lending their talents to the cause over the years. Always an outlet for extreme experimentalism, The Ocean explores both the light and dark sides of music as eloquently as anyone else in the business, and to catagorise their sound into any one genre is impossible. Continue reading