ALBUM REVIEW: Nails – Every Bridge Burning


Eight years on from You Will Never Be One of Us, Californian Powerviolence four-piece Nails return with their fourth full-length, Every Bridge Burning (Nuclear Blast Records), evidently intent on doing some damage. 

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ALBUM REVIEW: Lord Buffalo – Holus Bolus


A dark cloud is on the horizon. There’s a sense that a storm is coming. But while such imagery often suggests bad times ahead, with Holus Bolus (Blues Funeral Recordings), the latest record by brooding Folk-Rock four-piece Lord Buffalo, those coming rains could be a welcome release. Continue reading


EP REVIEW: Non Serviam – Labyrinthe


On Labyrinthe, (Self-Released) prolific, anonymous, French genre-defying duo Non Serviam lean into their Goth-Noise tendencies with a lo-fi collection of ghostly, ghastly gloom and dread.    

Originating as a solo project ten years (or more) ago, it was once they became a duo (and released debut full-length Le Cœur Bat) in 2021 that Non Serviam really got going. Continue reading


ALBUM REVIEW: SUMAC – The Healer


Six albums into their career, SUMAC stretch the limits of what Metal can be with The Healer (Thrill Jockey Records) — a four-song, 76-minute double album of fluid, evolving, at times seemingly freeform Jazz Metal that requires some patience, but impresses with its expressiveness and creativity.  Continue reading


ALBUM REVIEW: Ulcerate – Cutting the Throat of God


On Cutting the Throat of God (Debemur Morti Productions) Auckland, New Zealand’s Death Metal three-piece Ulcerate continue to refine their musical representation of an exploding volcano raining down molten rock and laying waste to all below. 

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INTERVIEW: Tom Osman Interviews My Dying Bride’s Andrew Craighan About “A Mortal Binding”


In this episode, Andrew Craighan, founding member and guitarist of ⁠My Dying Bride⁠, has a compelling discussion with Tom Osman about the band’s latest release, “A Mortal Binding,” available now via ⁠Nuclear Blast Records⁠. Gain a deeper understanding of the album’s concepts and the band’s enduring influence on the metal genre.Continue reading


ALBUM REVIEW: Khanate – Clean Hands Go Foul – Capture and Release


Having reemerged from its dank void of horror to release To Be Cruel in 2023, deconstructed-avant-doom entity Khanate continues to be pulled piece-by-piece from the mud, as the band’s third and fourth records — 2005’s Capture & Release and 2009’s Clean Hands Go Foul (Sacred Bones Records) — get shined and buffed for physical reissues. Continue reading


PODCAST: Episode 486 – Steve Austin (Today Is The Day) on His “Marked Cards And Loaded Dice” Album


Steve Austin is a name synonymous with underground metal. Through his three-decade-plus career with Today Is The Day, as well as his countless production credits on albums both genre-defining and extremely heavy, such as Deadguy, Converge, Unsane, former Dead Kennedys vocalist Jello Biafra, and Lamb Of God, Steve continues to help evolve the sound of metal. But through it all, Steve is still evolving himself as an artist too, as evidenced by his new project inspired by Classic Outlaw Country! Steve dropped his first single so far gone and his upcoming full-length album, “Marked Cards And Loaded Dice” has been announced, with more details to follow. Reviews editor Tom Osman is back to interview this legend about this new direction, his first gig in the books, and the myriad of other projects in the works, soon to be revealed.Continue reading


ALBUM REVIEW: Barry Adamson – Cut To Black


Eight years on from his last solo record, Cut To Black (Barry Adamson Inc) sees Barry Adamson (former Magazine bassist and Bad Seed) bring us back into his cinematic universe. While soul and murder are still very much on the menu, his latest vision seems a little less murky.Continue reading