ISLEPTONTHEMOON is an anonymous solo project based in Atlanta, Georgia. Only The Stars Know Of My Misfortune (Bindrune Recordings) is their third full-length release.Continue reading
Tag Archives: Shoegaze
ALBUM REVIEW: Amerta – Nodus Tollens
As a result of years of persistence and hard work in exploring the immense depths of their own resonances, Jakarta-based post/sludge/power metal collective Amerta embarks on a new profound milestone through the release of their first full-length entitled Nodus Tollens (Self-Released). Through this release, this Indonesian multi-genre unit invites their listeners to venture on an enigmatic journey fueled by existential dread, contemplations, and the inner conflicts that mankind collectively faces against the banality of everyday chaos and mayhem in the form of an in-depth listening experience. Continue reading
ALBUM REVIEW: Nameless – “Shapeshifter”
Hailing from Birmingham, UK Nu-Metal outfit Nameless show a whole world of imagination with their new album Shapeshifter (Self-Released). On this record, the band takes on a progressive genre-bending sound with ambitious track lengths. Drawing from influences from the likes of Deftones and Sleep Token, they combine facets of Metal and Shoegaze in such a way that keeps even the longest songs interesting. Continue reading
ALBUM REVIEW: Trash Boat – Heaven Can Wait
It is not until a band evolves and transforms their sound that they are able to unleash their fullest potential. With their last album Don’t You Feel Amazing? in 2021, British alternative rock outfit Trash Boat proved there was more to them than Pop Punk. With their fourth album Heaven Can Wait (Hopeless Records), the band has found their footing in their own unique blend of Rock, Metal, Punk, and experimental elements, taking the most captivating aspects of each to bring their brutal and contemplative vision to life.Continue reading
ALBUM REVIEW: Boston Manor – Sundiver
While the band started with a familiar yet distinct brand of pop punk, British rockers Boston Manor’s sound has evolved into something even more defined. Ever since their second full-length Welcome To The Neighbourhood, Boston Manor have been experimenting with and expanding on a sound reminiscent of film noir—one that gets more and more vivid with each release. Their fifth album Sundiver (Sharptone Records) shines a new light to the world they continue to grow. Continue reading
ALBUM REVIEW: Alcest – Les Chants de L’Aurore
Alcest began as a solo Black Metal project for French musician Neige at the turn of the millennium, and have since forged themselves a fine reputation as one of the pioneering bands of the Blackgaze sound. Continue reading
EP REVIEW: Graywave – Dancing In The Dust
Starting out as a solo project for singer and multi-instrumentalist Jess Webberley, Graywave have released two previous EPs – Planetary Shift in 2021, followed swiftly by their first for Church Road Records, Rebirth in 2022. Continue reading
ALBUM REVIEW: My Diligence – Death.Horses.Black.
A dark, dramatic, intense collection of relatively extreme music, Death.Horses.Black. (Listenable Records) is delivered with commitment and no small expertise by Belgian prog-stoner outfit My Diligence.Continue reading
Outlander Shares Their New Single and Video for “Want No More” – New Album Incoming
Birmingham UK post-Rock and Doomgaze band Outlander has shared a brand new single and video for the track “Want No More!” The track comes off of their upcoming sophomore album, Acts of Harm, due out on Church Road Records on June 28th, 2024. Pre-orders are live for the album now. “Want No More” is a beautiful, aching track deserving your attention and the video compliments it beautifully. Watch the video and stream the track now!Continue reading
ALBUM REVIEW: Blanket – Ceremonia
A genre-striding quartet from Blackpool, Blanket are back with their latest album, Ceremonia (Church Road Records). It is their third record and sees them continue their emotive brand of Post-Rock and Shoegaze, with the metal influences from their previous album Modern Escapism replaced with nineties Alternative Rock. Continue reading