ALBUM REVIEW: My Dying Bride – A Mortal Binding


My Dying Bride might be the most important Doom band ever. Their second album Turn Loose The Swans (1993, Peaceville Records) redefined the genre, forsaking Sabbath worship, and creating a romantically depressing river of sonic darkness from which they sailed. Continue reading


Huntsmen Announces Their New Album “The Dry Land” – Coming Soon



Chicago, IL ensemble Huntsmen has today announced their third album, The Dry Land, set to be released via Prosthetic Records on June 7. Alongside the album announcement, the Americana / Doom Metal group has shared release show details for The Dry Land, set to take place on June 7 at Sleeping Village in Chicago, IL. Further details on The Dry Land will be revealed in the coming weeks, with the band sharing a teaser for the lead single below. Watch it now!Continue reading


ALBUM REVIEW: Coffin Storm – Arcana Rising


Formed in the forest hills of Norway, Coffin Storm comprises long-term friends Leif Nagell (aka Fenriz from Darkthrone), Jørgen Moe aka Apollyon (Aura Noir, Lamented Souls), and Olav Knutsen aka Bestial Tormentor (Infernö/Lamented Souls). Having known each other since the eighties, one of the most baffling things about this Kolbotn collaboration is that it’s taken so long to actually happen. But then again, when does Doom Metal ever feel the need to hurry?Continue reading


ALBUM REVIEW: Defect Designer – Chitin


If the striking artwork courtesy of Ian Miller of Ulthar was not a giveaway, Chitin (Transcending Obscurity Records) is far from a conventional affair. As previous output from Defect Designer proved, this Russian (by way of Norway) vehicle is one totally unafraid of formulas and usual genre structures even amongst a seemingly increasing amount of more esoteric death metal acts. Even previous experience however will not fully prepare listeners for proceedings here however with some equal parts innovation and outright absurdity- for better or worse.Continue reading


EP REVIEW: Slower – Slower


Covering Slayer is a tricky business. Many bands have tried and failed, and despite displaying obvious reverence to the Californian Thrash legends, only a handful have ever really been able to do real justice to the source material. And of those, it’s the ones who arrive from left field that remain in the memory the most.

From Finnish cellists Apocalyptica to LA rap-metallers Body Count, it’s US singer/pianist Tori Amos who produced arguably the most innovative cross-genre take back in 2001 when she gave the world a very different version of “Raining Blood”. And now it’s the turn of Fu Manchu guitarist Bob Balch, the stoner metal legend getting the idea after teaching a student how to play “South of Heaven” in a different tuning and, well… Slower.Continue reading


ALBUM REVIEW: Lord Dying- Clandestine Transcendence


It was back in 2019 when we last saw a release from Portland, Oregon’s own Lord Dying. The album in question being Mysterium Tremendum proved to show a widening in their sound with an ever increased air and nod to progressive rock alongside their more notable sludge elements, as well as a narrative which includes a large focus on the notion of death, mortality and questions around these.

Four years later, events of the world have hardly made this subject matter any less focused in people’s minds and certainly not in the band, as latest album Clandestine Transcendence (MNRK Heavy) continues with this overarching narrative, as well as a continuation on their ever-expansive song writing. Continue reading