ALBUM REVIEW: Full Of Hell – Coagulated Bliss


Maryland’s Full of Hell are not fucking about. 6 studio albums, 5 collaboration albums, 9 EPs, 8 splits, and 4 live albums in 15 years, and with their latest album Coagulated Bliss (Closed Casket Activities), the band continues to demonstrate their refusal to stand still. Continue reading


ALBUM REVIEW: Nest – Endeavors


Nest is helmed by multi-instrumentalist John Jarvis of Agoraphobic Nosebleed and Scour. Given his connection to Phil Anselmo through Scour, it only makes sense for this project to be on Housecore Records. Endeavors marks the third full-length album of the project. They opened select dates for Pantera’s recent tour; they are at least heavy enough to warrant having a slot on that run. Continue reading


The Summer Slaughter Tour to Finally Return This Summer After Four Years


According to a report from our friends at Lambgoat.com, The Summer Slaughter Tour will return after a four-year absence in 2024! Their official Instagram shared an image stating “We Are Back!” as well as Sumerian Records, a regular sponsor of the tour and provider of bands and support! The tour will be from July-August and will take place in US and Canada. The post also featured the track “Dynasty” from Brand of Sacrifice, hinting that they may be a part of the tour lineup. The band was on The Summer Slaughter tour in 2019. First taking place in 2007 in the USA and expanding to Canada, and Europe, the tour was responsible for the growth of popularity, especially in the USA of such bands as Necrophagist, The Black Dahlia Murder, Decapitated, Job For A Cowboy, Suicide Silence, Between The Buried and Me, Animals As Leaders, Cattle Decapitation, The Faceless, Periphery, and more. See the post below. Continue reading


ALBUM REVIEW: BRAT – Social Grace


Where to start with BRAT? The potential is on the wall as I don’t recall too many bands that get to release their debut LP – Social Grace, by the way – via Prosthetic Records. And bear in mind that this is an outfit that formed right before the golden days of the Coronavirus pandemic so it’s not like they’ve been toiling away in the dark for the better part of a decade. So, therefore, these kids must have the goods. Continue reading


ALBUM REVIEW: Mastiff – Deprecipice


The multilayered masterpiece that is Deprecipice (MNRK Heavy) is lightyears away from anything else that has graced the brutal metallic sludge/Hardcore/Death Metal scene for quite some time. Leave it up to Mastiff to be the ones leading the charge. Continue reading


ALBUM REVIEW: Pestilength – Solar Clorex


Art is a reflection of life. Thus the upswing in Death Metal – a renaissance that is not just a matter of marketing hitting just right. There is a wide breadth of different stylistic turns being taken, rather than just a worldwide tribute to the Tampa of the eighties. As someone who lives in Tampa at present, this might be the one city without an abundance of the deathly goodness that the rest of the world is nailing right now. Continue reading


EP REVIEW: Ghoul – Noxious Concoctions


Masks, secret identities and scary pseudonyms are nothing new but Oakland horrors Ghoul clearly aren’t here to rely on gimmicks. Formed in 2001, the Californian act comprises four members who go by names like Digestor, Cremator, Fermentor, and Dissector. Continue reading


EP REVIEW: Dripping Decay – Ripping Remains


I was just thinking about how my gym setlist has been lacking in death metal of late. Fortunately I think I found some good cardio workout music in the latest release from Dripping Decay and their new EP, Ripping Remains (Satanik Royalty).

Their ranks include some well known names on the death metal scene: Jackson Jordon (Conducting From The Grave) and Jason Borton (Jungle Rot), so you know you are in for a treat. At a blazing seventeen and a half minutes, that includes a Halloween cover, is a snack-sized death-grind record that any heavy music fan can find enjoyment in.Continue reading


ALBUM REVIEW: Yersin – The Scythe Is Remorseless


A beguiling atmosphere. A deliberate sense of urgency. A cacophony of turmoil and finality: blackened Grindcore-meets-crust purveyors Yersin needed only a hair under twenty-five minutes to effectively and enthusiastically encapsulate all of the above mentioned techniques, and then some.

The Scythe Is Remorseless (Trepanation Recordings) sounds as if the Sunderland-based trio recorded seven tracks in the midst of an apocalyptic phenomenon known only to them. The sound bites and pierces; the vocals pummel and decimate. Together, it’s enthralling.Continue reading