In many ways, Chat Pile’s new album Who Loves the Sun (The Flenser) ironically feels like their Sunbather (Deafheaven). The album will elevate them to a new level as artists not made for radio airplay. You might even think these guys are going to take Noise-Rock to the mainstream. Still, it has pivoted from the hard and fast definition of that genre as a grim post-Grunge sonic effigy of society’s collapse, to one that these songs blame apathy for being the chief motivator. Maybe there is some truth to that theory, but to be honest, I don’t care.    Continue reading →