A mere two years removed from the fifty-minute colossus that is Primordial Arcana, Wolves In The Throne Room have undertaken a full 180 with Crypt Of Ancestral Knowledge (Relapse Records). The four-track extended play is spearheaded by “Beholden To Clan”, and is supplemented by three instrumental-dominant tracks.
Let’s be straight up: Final Gasp’s debut Mourning Moon (Relapsev Records) is a great album, but going into this we need to be clear in what we expect from it. The album cover, and marketing hype around this album makes you think it’s the second coming of Type O Negative. This is not the case. They draw inspiration from one of my favorite eras of punk rock…the mid eighties. This is when bands like T.S.O.L. and Die Kruzen took a darker turn in a more shadowy direction.
Gothenburg might be famous for its renowned death metal scene, but few might have heard of doom metal bands hailing from the said town of At the Gates and In Flames. Say no more, because the doom outfit Monolord return with their new EP It’s All the Same (Relapse Records), shining a light once more on the Gothenburg doom scene!
The story of Dying Fetus is one for the storybooks, indeed. Formed in 1991 (and spawning Misery Index in the process), guitarist/vocalist John Gallagher chose the name in jest with the sole purpose of raising ire and eyebrows.
Incantation is one of the most influential death metal bands of all time. This legacy rests on the shoulders of guitarist John McEntee, who is the sole original member. To his credit, McEntee has been playing with the rest of the band long enough to build the kind of chemistry to make this feel like Incantation even in the absence of Craig Pillard, who went on to form Disma.
Myrkur Photo By Gobinder Jhitta, used with permission
Chameleon-like Norse-Pagan Folk artist Myrkur has shared a new single and video for the moody and aggressive track “Like Humans!” Her new album Spine arrives via Relapse Records on October, 20th, 2023 in a variety of formats. Pre-orders are live below. Watch the video and pre-order the album now!
Powered by an insatiable appetite for thoughtful tempos and laborious aggression, Outer Heaven exhausts everything they have with Infinite Psychic Depths (Relapse Records), eleven songs rife with bombastic energy and acidic vocals.
It would be redundant to label End Reign an angry band. Metal tends to breed a dime a dozen of those. And metallic hardcore isn’t a previously untapped subgenre. Besides, the two have probably worked in tandem long before we subdivided every possible combination for the sake of clarity.
Despite listening to the genre for close to twenty-five years I am not well versed in the Australian Hardcore Punk scene; that changes now with Melbourne’s Geld and Currency // Castration (Relapse Records), the band’s third album. I have since learned that there is a thriving scene that includes the likes of Primitive Blast and Nerve Damage and clearly, I have a lot of catching up to do.
There is a rich tradition of Doom musicians releasing stripped-back acoustic affairs as the likes of Scott Weinrich, Tony Reed, and Mike Scheidt can attest to. Windhand‘s Dorthia Cottrell is no exception and Death Folk Country (Relapse Records) marks her second solo effort to date following a self-titled debut in 2015.