After two high quality short-form releases, French death/crust act Death Whore erupt fully onto the scene with full length debut Blood Washes Everything Away. A co-production by Duality Records, Crypt of Dr. Gore, Specific Recordings, Hecatombe Records, and No Good to Anyone Productions, the band from Nancy unleashes thirty-five minutes of deeply unpleasant sonic punishment in the nastiest possible way.Continue reading
Tag Archives: Metallic Hardcore
EP REVIEW: No Cure – I Hope I Die Here
Alabama is a state with a very well-known identity and stereotype, often ascribed as being synonymous with the uneducated, right-wing conservative types. It is aspirational that the hardcore troup, No Cure, want to change that for the better. All bands have gotta start somewhere, and with a list of features, your arm’s length, No Cure certainly are reaching high with their brand new EP I Hope I Die Here (SharpTone Records).
ALBUM REVIEW: Prisoner – Putrid – Obsolete
Technological horror, the literal or metaphorical collision of organic life with machines, from JG Ballard to David Cronenburg to Akira, there’s something so compelling (and often terrifying) about the welding of machine and flesh. The jaws of the thresher know no remorse, while the body is destined to suffer in its grip. Such thoughts occur listening to Putrid / Obsolete (Persistent Vision Records), the latest record from Richmond, Virginia’s extreme-metal unit Prisoner. Continue reading
REVIEWS ROUND-UP: ft – Haystack – Rough Justice – Crawling Through Tartarus – Dwarrowdelf
When Entombed followed Uffe Cederlund’s vision and produced the divisive Same Difference in 1998, the direction and sound that incorporated a hefty dose of Unsane and Cederlund’s other project, Haystack, was quickly parked following an overwhelmingly negative response -it’s genuinely not a bad record at all, with hindsight – Senior Ed], and the Stockholm massive returned to their HM-2 Death n’ Roll stylings.
Haystack, too, fell by the wayside for over two decades, too. The resurrection continues, though, with second album since their return, and fourth overall, Doomsday Goes Away (The Dogma Repertory Institute/Threeman Recordings).
ALBUM REVIEW: Splitknuckle – Breathing Through The Wound
Having a band named Splitknuckle evokes certain ideas even before you’ve heard the music. Violence, aggression, possibly-self-inflicted pain. Such ideas are only amplified in the title of latest album Breathing Through The Wound (Daze Records) and yes, the music within very much follows these initial impressions.
ALBUM REVIEW: Going Off – Kill List
There’s a saying in the UK that it’s grim up north and what better place for a Hardcore band to emanate from than Manchester, in this case a five-piece called Going Off, who formed in 2020. Continue reading
EP REVIEW: Sugar Horse – Truth or Consequences, New Mexico
Sludge is what happens when hardcore kids play doom metal. Bristol’s Sugar Horse might not replace all the Black Sabbath with Black Flag on their new EP Truth or Consequences, New Mexico (Fat Dracula Records), but their anger owes a debt of gratitude to the bands who did. This is felt on the volatile side of their good cop / bad cop formula.
ALBUM REVIEW: Rile – Pessimist
Hailing from Salt Lake City and formed by Cult Leader bassist Sam Richards, Rile are a band with fine credentials who have recently landed on the Church Road Records roster and have created a solid debut for the UK label, which unashamedly takes inspiration from Converge, Trap Them and the like.
ALBUM REVIEW: Blood Command – World Domination
World Domination is a big old task. Both in terms of, um, well, actually taking over the world, but also in terms of taking everything about the fifth full-length from Norwegian collective Blood Command in. Twenty tracks, and everything from Black Metal to slick pop, via snarling punk, metallic stomping Hardcore, and even the odd pause for breath (though only a sharp intake before heading off somewhere else, into urban beats, or shimmery synths, or kicking someone’s head in).
ALBUM REVIEW: Guilt Trip – Severance
There’s just something about the last handful of years and releases that are classified as either crossover Thrash or Metallic Hardcore that absolutely kills it. Moreso, when an album drops that has a mix of both of these subgenres, like the UK-based Guilt Trip, it’s just everything you want out of aggressive music on a bad day. With that, unleashed onto the world is Severance (via Malevolence’s label, MLVLTD), Guilt Trip’s sophomore full-length, an album that puts you through the grinder and spits you out for thirty-four minutes.