ALBUM REVIEW: Thorn – Evergloom


 

Allow me to go out on a limb here: the bathroom floor of a frat house on a Saturday night/Sunday morning has less bacteria and filth than Thorn’s newest record. But don’t be fooled into thinking Evergloom (Transcending Obscurity Records) is solely reliant on gag-inducing landscapes. The collective is armed with an innate ability to devise structured songs that possess personality and conjure truly frightening thoughts.

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ALBUM REVIEW: Urne – A Feast On Sorrow


 

London-based three-piece Urne announced themselves with the stylish Serpent & Spirit, one of the standout Metal debuts of 2021, and a gloriously dismal collection of songs that unashamedly paid homage to an influence of classic eighties Thrash Metal, mixed with an intriguing blend of traditional rock and melodic death metal.

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INTERVIEW: Derrick Vella of Dream Unending – “Song of Salvation” Album Breakdown


 

Ghost Cult caught up with Derrick Vella last fall about his band Dream Unending! The band is a side project of Vella (Tomb Mold) and Justin DeTore (Innumerable Forms, Sumerlands). We did a track-by-track review with Derrick of “Song of Salvation” which is out now via 20 Buck Spin! We chatted about side projects, concept albums, and more!

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ALBUM REVIEW: Gateway – Galgeendod


 

Distortion and volume alone do not equate to heavy. Heaviness is the feeling these sounds invoke. Sonic alchemy can be oppressive, horrifying, depressing, creepy or somehow unsettling; Gateway finds themselves touching on all of these feelings on their new album Galgeendood (Transcending Obscurity Records). Belgium is not at the top of my list when it comes to places I might expect this kind of subterranean death doom to emerge from, but here we are. This album is the follow-up to Robert Van Oyen’s 2015 debut, under the Gateway moniker.Continue reading


ALBUM REVIEW: Fleshvessel – Yearning: Promethean Fates Sealed


 

Anyone can make a concept album (which is not to say that it’s easy, but that it doesn’t depend on a particular musical style). That said, when it comes to the rock-opera-style concept album, the tendencies towards elaborate instrumental explorations and grand, dramatic spectacle often found in progressive rock and metal, provide particularly fertile ground. Pink Floyd, Queensryche, The Who, and many others have followed this path (coloured by their own particular musical approaches).

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ALBUM REVIEW: Radien – Unissa Palaneet


 

Since forming in 2014, Sludge band, Radien have released a range of different releases displaying their power and skill in creating their own devastating blackened influenced sounds. Their latest album Unissa Palaneet, despite only being five tracks long, lasts a tremendous forty-six minutes, almost half of which is taken up by the final track, clocking in at twenty-one minutes. As you can tell from the get-go, this isn’t a band with dreams of hitting the charts. It is clear from the offset of their music, these artists have a creative vision of the brutal and animalistic sounds they can present to the world.

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ALBUM REVIEW: Vomitheist – NekroFvneral


 

Vomitheist. It’s a band name that you hear or see and know exactly what you are in for. What exactly is a Vomitheist? Is it an instrument or a profession? Is it like an Atheist? Do they not believe in vomit, or do they worship it? Perhaps they are well-versed in all things regurgitation. Regardless of how or why they came up with their band name, what I can assure is that Vomitheist can write some sick ass and filthy Death Metal.

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REVIEWS ROUND-UP: Through The Cracks Of Death (January – March 2023) – Faithxtractor – Maze of Sothoth – Cadaver Shrine – Astriferous – Nothingness – Tentacult


 

Decades pass without incident, and we dare to hope that the door is closed forever… but hope is a coin that buys only disappointment. Richard Benton returns once more from the lands beyond, six new horrors fast at his heels.

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EP REVIEW: Beyond Extinction – Nothing More Wretched


The last couple of years have been a whirlwind for the Essex-based Beyond Extinction, who dropped their first EP The Fatal Flaws Of Humankind in 2021, then hit a packed New Blood Stage at Bloodstock for their first festival appearance in the same year. Since then they’ve continued to hit the road with full force, playing shows with an impressive roster of bands including Viscera, Cancer Bats, The Five Hundred, and Our Hollow Our Home.

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