ALBUM REVIEW: Enslaved – Mið


Enslaved are worthy to hold the hammer of the elder statesmen of Pagan Black Metal. Mið (Nuclear Blast  Records) is the Norwegian band’s 17th album. Below the Lights is where they stepped away from being church-burning heathen Black Metal and began to introduce more progressive elements, which is why they now have 17 albums under their bullet belts, because they gave themselves room to grow. They are not returning to the black metal style of their early work, but the opening track might be more black metal than you might expect, though it still ll ebbs back into the more progressive grooves. Sami musician Johan Sara Jr. contributes to this song, which is not going to be that big of a deal to anyone outside of Norway. 

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ALBUM REVIEW: Fleshspoil – The Beginning Of The End


Fleshspoil not only features the former drummer of Arsis but finds them attacking the Blackened Death Metal subgenre, with a catchier take than most. Their debut album The Beginning of the End finds their dissonant mix of atmosphere and thrashing striking a soothing discordance. They do not attack your ears with a bludgeoning hammering, but there is nuance to their intricate songwriting that holds the technical aspect of their sound check This album is produced in a manner that makes it sound like it came out twenty years ago, which plays to their favor. Continue reading →


ALBUM REVIEW: Oak – Disintegrate


 

Gaerea had a 2022 about as good as any Extreme Metal band, with the release of their third full-length album Mirage driving forward their sound and eloquently merging ferocious Black Metal with elements of heavy “post-” music to create a unique style, on a record that was one of the finest of the year. And during this period of creativity vocalist and guitarist Guilherme Henriques would continue to develop his Oak side project with former drummer Pedro Soares, which had begun when the two were writing and recording Gaerea’s debut album Unsettling Whispers in 2018. 

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