Let’s talk about Volbeat for a minute. They have a huge following and a ton of people dig ‘em. Good for them. I’m just not their target audience. I was born and raised on Carcass, Bolt Thrower and Deicide.
Let’s talk about Volbeat for a minute. They have a huge following and a ton of people dig ‘em. Good for them. I’m just not their target audience. I was born and raised on Carcass, Bolt Thrower and Deicide.
Allow me to go out on a limb here: the bathroom floor of a frat house on a Saturday night/Sunday morning has less bacteria and filth than Thorn’s newest record. But don’t be fooled into thinking Evergloom (Transcending Obscurity Records) is solely reliant on gag-inducing landscapes. The collective is armed with an innate ability to devise structured songs that possess personality and conjure truly frightening thoughts.
Within the ferocious realm of UK underground scene, the all-around relentlessly fiery thrash/death unit The Bleeding have been hitting the ground since 2010, (technically) kickstarted by the release of first full-length entitled Rites of Absolution (2017) after several years of releasing EPs and demos, followed by second-full length Morbid Prophecy (2019). Having been noticeably compared to the likes of Exodus, Kreator, Death, and Demolition Hammer, they never cease to present the best of reaping thrash-death metal eclectic rawness.
If you like your death metal brutal, progressive, and quite possibly from another dimension then look no further than genre-bending quartet VoidCeremony. Formed in 2013, the Californian act’s second full-length studio album Threads of Unknowing (20 Buck Spin) delivers more of what was promised on their 2020 debut but with even more intensity and technical virtuosity.
There is nothing – nothing – clean about Allfather.
Not the production or tuning; not the various vocal methods; not the atmosphere or tone.Continue reading
Formed in 2019, it didn’t take Peruvian death metallers Spectral Souls long to feel the effects of Coronavirus, the global pandemic throwing their plans into chaos within months. After eventually completing work on their full-length debut, the Lima-based act released Towards Extinction (Hammerheart Records) digitally last year but are now reissuing the album in a variety of more traditional physical formats.
Sad news as Control Denied and Pharaoh vocalist Tim Aymar has died. He was just 59. No cause of death was shared, as the news was released via Pharoh’s social media. A tribute from the Death Facebook account was also shared. Aymar is perhaps best remembered as the vocalist for Chuck Schuldiner’s Control Denied project, which released one album, 1999s The Fragile Art Of Existence. Tim was the vocalist for 313, Triple X, Psycho Scream, and Pharaoh. RIP.
It hasn’t taken long for the bright and shiny optimism of the new year to be well and truly soiled by what is sure to be one of the filthiest and repugnant releases of 2023. Hailing from the land of grunge, Seattle, Re-Buried were formed in 2018 and feature bassist Clayton Wolff and drummer Alex Bytnar from sludge/doom act Un. With guitarists Ed Bingaman and Paul Richards providing the stomach churning riffs, the line-up is completed by frontman Chris Pinto, although the vocals on this recording are actually performed by his predecessor Mat Chandler.
If Leper Colony’s self-titled debut album (Transcending Obscurity) is any condition of what to expect musically for 2023, we are in for a helluva treat.
Canada’s All Else Fails released their latest EP, “The Incident at Black Lake,” this past September. A concept EP intended to be listened to as a whole, it is a personal foray into the darkness of depression and the torment of addiction. To cap off the EP, the final track is a cover of “Crystal Mountain” originally performed by Death. The band just shared a music video for the cover! Watch it now!Continue reading