ALBUM REVIEW: Today Was Yesterday – Today Was Yesterday

The expert, intricate and intriguing Today Was Yesterday (Music Theories Recordings/Mascot Label Group) finds the eponymous duo spreading their wings, unboxing various goodies and displaying many talents, in cahoots with guitar greats Alex (Rush) Lifeson, guesting on six of the 10 tracks, and Robby (The Doors) Krieger, on another.Continue reading

Liquid Tension Experiment Shares New Teaser with a New Song!

As we previously broke the news that broke the metal interwebz this week, Liquid Tension Experiment are back! They have a new label and a new album ready to drop, after signing with InsideOutMusic for the release of their 3rd album. The album is set for a Spring 2021 release, 22 years after the bands’ last studio album. The legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) has signed with InsideOutMusic for the release of their 3rd album. The album is set for a Spring 2021 release, 22 years after the bands’ last studio album. The band has released a new teaser trailer, created by Christian Rios, which you can see here:

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CLASSIC ALBUMS REVISITED: Nine Inch Nails Released The Fragile 20 Years Ago

Even geniuses get beat up by the press and fans sometimes. There were very few albums as big, pervasive in music culture and brilliant as Nine Inch Nails career highlight The Downward Spiral (Nothing/Interscope) was in 1994. The problem is, how do you follow it up, especially when the entire world jumped on the bandwagon and copied your style? Well, you don’t do a belly flop into stasis, you work harder than ever to expand, change drastically and do all the things. The Fragile (Nothing/Interscope) is Trent Reznor doing all the things, really well. Continue reading

Bowie, Blondie, The Doobie Brothers, Gary Numan, Peter Gabriel, Talking Heads, Red Rider Music Heard in Mindhunter Season 2

If you are like us, you spent the weekend binge-watching Season 2 of the amazing Mindhunter series on Netflix. The followup to the Emmy Award-winning 2017 series is a drama based on the real events of the founding of the Behavioral Science Unit of the FBI in the late 1970s and early 1980s. Produced and sometimes directed by David Fincher (S7ven, Fight Club, Zodiac) and starring Jonathan Goff, Holt McCallany, and Anna Torv, the main characters are FBI profilers and they interview serial killers and investigate cases during the show. As they did in season one, the music of the time plays a huge role with the soundtrack, sound design, songs heard in the show. Music in season two features artists such as Blondie, The Doobie Brothers, Peter Gabriel, Talking Heads, Willie Nelson, Marianne Faithful, Pretenders, The Brothers Johnson, Boston, Joan Armatrading, Kenny Rogers, Red Rider, The Police, Patti Smith Group, Christopher Cross, Sammy Davis Jr., Gary Numan, Pat Benatar and more. Even a Charles Manson song is heard in Episode 5 which features Manson himself portrayed by Damon Herriman, who also plays Manson in Quentin Tarantino’s current film Once Upon A Time In Hollywood. Jam out to this playlist!Continue reading

SPECIAL FEATURE: Woodstock 1994 – Twenty-Five Years Later

It started with an old-fashioned idea. The optimism of the hippies met wit the activism of the more rebellious factions of society to create a powderkeg of activism and art in the late 1960s to create Woodstock. The fest could have been an unmitigated disaster that would have made Fyre festival look good. However, it would have a lasting cultural impact even the future decades rode on. With an eye on capturing that spirit again, and raking in a lot of money, the original founders of Woodstock create Woodstock `94: 2 More Days of Peace and Music, but officially it was three days. Continue reading

VOLA – Applause Of A Distant Crowd

Danish quartet VOLA are an impossible band to pigeonhole as their 2016 debut Inmazes gleefully hopped genres encompassing Heavy Metal, Prog Rock, Industrial and Electro elements amongst others. Their new album Applause of a Distant Crowd (both Mascot) continues this broad outlook, but this time the keys of Martin Werner play a more prominent role.Continue reading

Watch Primus, Tool And Mastodon Members Cover Peter Gabriel

Primus, by Meg Loyal Photography

At the Los Angeles date of the recent Primus/Mastodon tour, Primus had some help with their regular cover of Peter Gabriel’s deep cut ‘Intruder’. Brann Dailor from Mastodon and Danny Carey from Tool joined in to jam, with help from Brann’s bandmate Troy Sanders as well. Continue reading

Steven Wilson – To The Bone

Genius is a gangly word to throw around, and at Ghost Cult, we don’t use it lightly, or all that often. For Steven Wilson, that tag has applied more often than not to his output in his thirty-year-plus career. As he pulls further and further away from his progressive metal heyday; he runs headlong to return to his early roots in the 1980s of No Man Is An Island/No-Man (look it up if you don’t know it) project. His loose goal going in was to make a pop-rock album in the vein of lightly prog-flavored favorites of his youth such as Peter Gabriel, Tears For Fears, XTC, and others. He achieved this on To The Bone (Caroline International), without any pretense you might associate with an artist making a choice like this.Continue reading

The Dead Daisies Part Of Cultural Exchange With Cuba

the dead daisies y sus amigos

The Dead Daisies are in the midst of their cultural exchange as guests of the Cuban Ministry of Culture, Cuban Institute of Music and the Cuban Rock Agency. View the photos of their trip here.

The venture is one of the first for a U.S. rock band since Obama loosened travel and trade rules for the country and the band for this excursion includes Richard Fortus (Guns N Roses, Psychedelic Furs) on lead guitar, Marco Mendoza (Thin Lizzy, Whitesnake) on bass, Dizzy Reed (Guns N Roses, Hookers & Blow) on keyboards, David Lowy (Mink, Red Phoenix) on guitar and Brian Tichy (Ozzy Osbourne, Billy Idol) on drums. Also along for the ride are Darryl Jones (Rolling Stones, Sting, Peter Gabriel), John Corabi (Motley Crue, RATT) and Bernard Fowler (Rolling Stones).

the dead daisies

While in Cuba, The Dead Daisies are performing both acoustic and electric shows as well as recording tracks for their upcoming album. Joining them in the Cuban studio is producer Ben Grosse (Red Hot Chili Peppers, Sevendust, Stone Temple Pilots), who tagged along for the trip and will be behind the boards at Abdala Estudios for the sessions.

In addition to recording their new album, The Dead Daisies will also be jamming with Cuban musicians Yasek Manzano, Carlos Miyares, Michel Herrera, Alejandro Martinez, Harold Lopez and Yaimi Karel. The group will also visit schools and conduct workshops with students and local musicians.

The Dead Daisies Cuba Schedule
Feb 22: Welcome Cocktail Party with Cuban Ministry, Institute & Musicians – Havana, Cuba
Feb 23: Press Conference & Acoustic Performance at la Fábrica de Arte – Havana, Cuba
Feb 24: Cuban Recording Sessions with local Cuban musicians – Havana, Cuba
Feb 25: Cuban Recording Sessions and Club Gig at Maxims – Havana, Cuba
Feb 26: Music School & Master Class Visits – Havana, Cuba
Feb 27: Cuban Recording Sessions – Havana, Cuba
Feb 28: Cuba Rocks For Peace concert at Salón Rosado de La Tropical – Havana, Cuba (with David Blanco y su grupo and Anima Mundi)

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Steve Hackett – Genesis Revisited: Live at the Royal Albert Hall



Memory doesn’t half play tricks on you, you know. I don’t think there was ever a time when the live album was an important part of the progression of an artist but I seem to remember from my own youth that the arrival of a live record was considered to be AN EVENT. An event you could have endless arguments about, for example, whether the live version of Iron Maiden’s ‘Hallowed Be Thy Name’ on Live After Death (EMI) is superior to the studio version on Number of the Beast (it is, by the way). Today, the live album appears to be the perfunctory release of the couldn’t-be-bothered brigade, the contractual cash in, the how-can-we-milk-them-some-more cynicism.


It was with this context and mindset that I approached Steve Hackett’s latest souvenir of his Genesis revivalism from the Royal Albert Hall. The Genesis Revisited experience has been captured on live DVD and 2CDs – your humble scribe has had to make do with an MP3 download so I can’t comment on anything like multiple camera angles, artistic direction or anything like that – it’s just the soundtrack I’m going to review. But what a soundtrack!


“Welcome to the Last Night of the Progs” says Hackett at the start of ‘Dancing with the Moonlit Knight’. It’s part gag, part slight embarrassment – you get the idea that Hackett knows that the passionate throng in front of him are coming to this gig with massive expectations and Hackett is humble enough to not want to let them down. He doesn’t as ‘Dancing with the Moonlit Knight’ is just, well, fantastic actually. You won’t get me to suggest that I didn’t miss Peter Gabriel’s eccentric and evocative vocals, but Hackett’s singer, Nad Sylvan does a terrific job and if you haven’t got to grips with how brilliant a guitar player Hackett is then this is a great jumping on point. His solo on ‘Fly On the Windshield’ is spellbinding, and I say this as someone who usually finds this sort of stuff irredeemably awful.


With an artist like Hackett you were never really going to get short-changed though were you? This is a man who cares too much about the music, the fans and the experience than to turn in a “will this do?” effort. The set list appears to have been curated with care, respect and with an ear for the natural ebb and flow of live performance; there’s an attentive and graceful rendition of ‘Return of the Giant Hogweed’, a heartwarming ‘Fifth of Firth’ and when we get to it, as you know that we inevitably will, a performance of ‘Supper’s Ready’ that only the most churlish would consider to be anything other than exquisite.


Truly, there has been a huge amount of care into this event: whilst I would not be as daft or effusive as to suggest that this is better than the original what the performance does do- and in spades- is remind me of how brilliant Hackett is, how great Genesis were and how much of a prog-head I really am. That’s quite a feat. A lovely, lovely album of what must have been a lovely, lovely night.





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