You might not live on the desert plains, but with Everything Fades (Blues Funeral Recordings), Hard Rock three-piece Blue Heron can show you the way there. Continue reading
Tag Archives: Stone Temple Pilots
PODCAST: The Weekly Ritual Rock and Metal News Show Live 6-14-24
FEATURE: Stone Temple Pilots “Purple” Album Turns 30 and Made One Hater a Fan
How can a certified metal guy explain to the reader how this album has gone from being the enemy to a close friend?Continue reading
Welcome To Rockville ft. Mötley Crüe, Slipknot, Foo Fighters, Judas Priest, and More Announces Expanded Festival Experiences – Kicking Off This Week
Welcome To Rockville returns to Daytona International Speedway in Daytona Beach, Florida this week to kick off the festival season bigger and louder than ever event May 9-12, 2024! 200,000 fans are expected to attent, which would be a new record. Produced by Danny Wimmer Presents organization, the fest will be headlined by Mötley Crüe, Slipknot, Judas Priest, Foo Fighters Disturbed, Limp Bizkit, Queens Of The Stone Age, Judas Priest, Greta Van Fleet, Evanescence, and Kerry King among many others. Tickets and more info along with the full lineup can be seen below. Now the fest has announced their expanded experiences offerings to make it an even better value for fans!
Stone Temple Pilots and Live Book a Co-Headline Tour for This Summer
Two of the most legendary bands in rock – +LIVE+ and Stone Temple Pilots – announced they are teaming up for the Jubilee Tour, a co-headline tour produced by Live Nation. The 19-city run kicks off August 16, 2024, in Concord, CA, with special guests Our Lady Peace on the first two dates, and the remainder of the tour with Soul Asylum.Continue reading
Welcome To Rockville Books Mötley Crüe, Slipknot, Foo Fighters, Judas Priest, Disturbed, Limp Bizkit, Queens Of The Stone Age, Greta Van Fleet, Evanescence, and Kerry King Among the Confirmed Acts For 2024
After record-breaking attendance of over 170,000 music fans over four days in 2023, Welcome To Rockville returns to Daytona International Speedway in Daytona Beach, Florida to kick off the festival season bigger and louder than ever May 9-12, 2024! Produced by the vaunted Danny Wimmer Presents organization, the fest will be headlined by Mötley Crüe, Slipknot, Judas Priest, Foo Fighters Disturbed, Limp Bizkit, Queens Of The Stone Age, Judas Priest, Greta Van Fleet, Evanescence, and Kerry King among many others. Tickets and more info along with the full lineup can be seen below.
ALBUM REVIEW: Helmet – Left
Helmet are a legacy band, who at over 30 years into their career– albeit with an early 2000’s hiatus– are still very much thought of as a specific, early mid-nineties era band when alternative rock was king. And for good reason, as they are a band who certainly had a huge influence with early Interscope Records such as Meantime (1992) and Betty (1994), providing a sludgy down-tuned version of the more commercial alternative styles of the time.
Corey Taylor Pulls Out of Aftershock Festival After a “Significant” Knee Injury
INTERVIEW: Matty Joseph and Graham Stanush of Return to Dust on “Black Road” and Sharing The Spotlight
We chatted with Matty and Graham of Return To Dust about their new single and music video “Black Road!” The modern post-Grunge band is killing it early in their career with this amazing track, a production deal with legend Jim Kaufman (Anti-Flag, Danny Worsnop, Night Riots, Helmet), and an artistic vision is seldom seen. We discussed their humble beggings, moving out to LA to start their career, the influences of Alice In Chains, Stone Temple Pilots, Soundgarden, and others, and a lot more! Their new EP is releasing July, 28th, 2023
REVIEWS ROUND-UP: ft. Church of Misery, Witchskull, Altar of Oblivion, Wytch Hazel, Yawning Man, and Tigercub
Nearly thirty years of diving headfirst into the void, and Church of Misery are back with Tatsu Mikami once more giving worship to the Blackest of Sabbath’s, acolyte to ‘The Riff’ and servant to the retro groove once more on Born Under A Mad Sign (Rise Above). Joined once again after a twenty-five-year absence by original vocalist Kazuhiro Asaeda, there is a fine sense of anticipation about the Japanese doom merchants seventh full-length.