Consistently being the inherent epitome of a harsh menacing winter and presenting ever-enigmatic themes that have to do with the void of darkness and the subconscious, the Switzerland-bound Paysage d’Hiver has been around for quite some time playing inclement Ambient Black Metal with a low-fidelity raw production, while also incorporating elements of a myriad of associated styles, being Funeral Doom Metal, Dungeon Synth, and Drone. Continue reading
Six albums into their career, SUMAC stretch the limits of what Metal can be with The Healer (Thrill Jockey Records) — a four-song, 76-minute double album of fluid, evolving, at times seemingly freeform Jazz Metal that requires some patience, but impresses with its expressiveness and creativity. Continue reading
Aseethe have announced their new album The Cost, out on June 21st, 2024 via Thrill Jockey. The Cost is an album shadowed by devastating losses, a visceral study in aftermaths, centered around how life moves forward after personal and universal traumas. Along with the album’s announcement, the band has shared first single “Last Time I Do Anything For a Fucking Friend Ever”, a perfect encapsulation of the different directions Aseethe skillfully navigate over the course of the album, from lush drones to bracing hardcore riffing to a sludgy dirge. Pre-orders are live at the links below, and the band has booked tour dates with Malevitch and The Eye Flys.Continue reading
As one half of the infamous Funeral Doom Metal band Bell Witch, Dylan Desmond is a musician renowned for powerful and contemplative soundscapes and is no stranger for emotive music. Following from the band’s Patreon launch a couple of years ago, Desmond has since been prominently experimenting with Ambient, synth-led music in part made to accompany segments of films (as anyone who has seen Bell Witch live will attest to their use of visual artistry in their performances). A further result of this is this solo output Je Est Un Autre, with a moniker taken from quotes of surrealist poet Arthur Rimbaud which, unsurprisingly, is a deep thought-provoking piece. Continue reading
It has been quite a long time since I last sat down and attempted to listen to something on the drone end of the Doom/Sludge Metal spectrum. Continue reading
Tristan Shone, aka Author & Punisher has announced a short run of tour dates celebrating 20th Anniversary mini tour. Direct support will come from Morne and Glassing. Shone took his expertise as an electrical engineer and scientist to create his sound and light machines, creating unique Industrial Metal/Drone/Doom soundscapes. His last album was 2022’s acclaimed release Kruller (Relapse Records).Continue reading
Ghost Cult caught up with John Hoffman (Weekend Nachos, Ledge) of Chicago Sludge/Drone band Stomach. Along with Adam Tomlinson (Sea Of Shit, Sick/Tired), the duo delves deep into Sludge, and Doom and Drone music that surpasses their history in many Chicago-area extreme metal and Powerviolence bands. We went deep on the evolution of the band, the growth from the two demos to their debut album Parasite out now from Hibernation Release, the challenges of John being a drummer and a vocalist, the scene, and much more!Continue reading
Invocation / Supplication (By Norse Music), the new offering from experimental cellist Jo Quail, is actually a compendium of two connected three-song cycles. The first, Invocation, features the contributions of Heilung vocalist Maria Franz, plus brass instruments, percussion, bass and a choir assembled from crowdsourced mobile phone recordings of individual syllables. Supplication, on the other hand, is a less embellished affair, with just vocals from Lorenzo Esposito Fornasari and Koen Kaptin’s trombone parts to augment Quail’s cello and sound design.
Keefy caught up with Rebecca Vernon from The Keening. Her debut album “Little Bird” is out now via Relapse Records , and she shares with us life after SubRosa, writing new music, working through the creative process in a new way, coping with the new DIY artist realities after the last few years, and much more.
Ex-SubRosa leading member Rebecca Vernon embarks on a solo project journey four years after SubRosa’s disbandment under the moniker of The Keening, presenting a full-length consisting of Gothic Chamber Doom elements, accompanied by the feature of a handful of instruments, being flute, strings, harp, French horn, piano, organ, and hammered dulcimer – creating a vast multitude of echoed soundscapes.