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Tag Archives: Electronic Music

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FESTIVAL REVIEW: Roadburn 2026 Part 2 – Live at Various Venues, Tilburg, The Netherlands

Posted on July 8, 2026 by Dante Torrieri

Day 3:

The easily induced crying listening to Warning, when just the night before Patrick Walker was hosting a heavy metal Karaoke in the basement of the 013. Nothing throwing down one of the best performances I’ve seen from them. The insanity of the skate park stage, people moshing and crowd surfing on one of the boxes; all the lights have to stay on for insurance reasons, and I agree with that. The sets I missed: Mandy Indiana, Acid Mothers Temple, Chained To the Bottom Of The Ocean, to name a few. Continue reading →


Posted in Reviews | Tagged "Industry", "Observance", 013 Tilburg, 137, abstract hip-hop, Acid Mothers Temple, Acid Mothers Temple Future, Acid Mothers Temple Past, Acid Mothers Temple Present, acid rock, Agriculture, Aho Ssan & ASIA, AION The Eternal Coil, Ak’Chamel, album performance, All Men Unto Me, Ambient, Ameretat, anarcho-punk, art exhibition, art rock, artist in residence, atmospheric black metal, Atmospheric Metal, Aurora, Avant- Rock, Avant-garde metal, avant-garde music, aya, Backengrillen, Bad Breeding, Billy Woods, Bitchin Bajas, Bl!ndman, black metal, blackgaze, Blackwater Holylight, Blawan, Boris, Bosse-De-Nage, Bound By Endogamy, Chained To The Bottom Of The Ocean, commissioned music, Concert Review, Crippling Alcoholism, Crust Punk, Cult Of Luna, Cult of Luna early era set, Cult of Luna late era set, Dälek, Dan Meyer, Dark Ambient, Dark Folk, darkwave, Dead Neanderthals, Death Doom, Death Hilarious, death metal, DJ Haram, doom metal, doomgaze, Douwe Dijkstra, Drone, drone metal, drone set, early era set, ECHT!, Electronic Music, ELUCID, Emoviolence, Epic Doom, European Festivals, experimental electronic, experimental festival, experimental hip-hop, Experimental Jazz, Experimental metal, experimental music, Experimental Rock, extreme metal, extreme music, Eyes, Fauna, festival art, Festival Review, Filmmaker, Flood, folk, free jazz, full album set, funeral doom, Gothic Rock, Grindcore, Habak, hardcore punk, Haress, Harsh Noise, Heaven In Her Arms, Heavy Jazz, Heavy Metal, heavy music, heavy music culture, heavy psych, I Hope This Hurts, improv, Industrial, Industrial Metal, industrial techno, Inter Arma, Jazz fusion, Jesse Sykes & The Sweet Hereafter, Jonny Nash, K-X-P, Kameel, Kim Hoorweg, Kiss The Anus Of A Black Cat, KMRU, Kollaps, Kowloon Walled City, Krallice, Krallice Future, Krallice Past, Krallice Present, Krautrock, late era set, Lathe of Heaven, Lili Refrain, Live Review, Machukha, Mandy Indiana, Maruja, metal festival, Middle Eastern psych, Milkweed, Moloch, Moonstruck Old Tales, NeoFolk, NGHTCRWLR, Noise, noise rap, Noise Rock, Not Here Not Gone, Nothing, Oathbreaker, Occupational Hazard, Orcutt Shelley Miller, Otay:Onii, Pain Magazine, Paradox, Parrish Smith, past present future, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Pink, Pink Days, Planning for Burial, portrayal of guilt, Post Black Metal, Post Hardcore, post-metal, post-punk, poster art, Power Electronics, powerviolence, Primitive Man, Progressive Rock, Prostitute, psychedelic art, psychedelic folk, Psychedelic Rock, Quest Master, Ragnarök Trio, redefining heaviness, Remembrance, Requiem, Rheia, Richard Dawson, ritual music, Roadburn 2026, Roadburn 2026 artwork, Roadburn 2026 review, Roadburn art, Roadburn artwork, Roadburn commissioned music, Roadburn discovery, Roadburn Festival, Roadburn Festival 2026, Roadburn review, Roadburn Tilburg, Roadburn visual artist, rock festival, Róis, Saetia, SANAM, Scattered Purgatory, Screamo, Shearling, Shoegaze, Siem Reap, Sir Richard Bishop, Slow Crush, Slowhole, sludge, Sludge Metal, space rock, special set, Stoner Metal, stoner rock, Street Sects, Street Sex, TCR Collective, The Cavern, The End Of Purification, The Netherlands, The Spiritual Sound, These New Puritans, Thirst, Tilburg, Tomo Katsurada, Traditional Doom, Traidora, Tria Nema, Truck Violence, Ufomammut, underground hip-hop, underground metal, underground music, underground rock, Unsane, Warning, White Halo, Wiegedood, World music, World Peace, Yellow Eyes, ZU

FESTIVAL REVIEW: Roadburn 2026 Part 1 – Live at Various Venues, Tilburg, The Netherlands

Posted on July 2, 2026 by Dante Torrieri

I always struggle to find the correct words to express my love for Roadburn and its musical pilgrimage without sounding like I’m repeating myself. Being a visual person, words and I don’t always get along. This was my ninth year in attendance, and I always cherish my arrival in Tilburg. I’ve lived through the growth and changes over the last ten years, 2016 being the first year I got the opportunity to attend. Continue reading →


Posted in Reviews | Tagged "Industry", "Observance", 013 Tilburg, 137, abstract hip-hop, Acid Mothers Temple, Acid Mothers Temple Future, Acid Mothers Temple Past, Acid Mothers Temple Present, acid rock, Agriculture, Aho Ssan & ASIA, AION The Eternal Coil, Ak’Chamel, album performance, All Men Unto Me, Ambient, Ameretat, anarcho-punk, art exhibition, art rock, artist in residence, atmospheric black metal, Atmospheric Metal, Aurora, Avant- Rock, Avant-garde metal, avant-garde music, aya, Backengrillen, Bad Breeding, Billy Woods, Bitchin Bajas, Bl!ndman, black metal, blackgaze, Blackwater Holylight, Blawan, Boris, Bosse-De-Nage, Bound By Endogamy, Chained To The Bottom Of The Ocean, commissioned music, Concert Review, Crippling Alcoholism, Crust Punk, Cult Of Luna, Cult of Luna early era set, Cult of Luna late era set, Dälek, Dan Meyer, Dark Ambient, Dark Folk, darkwave, Dead Neanderthals, Death Doom, Death Hilarious, death metal, DJ Haram, doom metal, doomgaze, Douwe Dijkstra, Drone, drone metal, drone set, early era set, ECHT!, Electronic Music, ELUCID, Emoviolence, Epic Doom, European Festivals, experimental electronic, experimental festival, experimental hip-hop, Experimental Jazz, Experimental metal, experimental music, Experimental Rock, extreme metal, extreme music, Eyes, Fauna, festival art, Festival Review, Filmmaker, Flood, folk, free jazz, full album set, funeral doom, Gothic Rock, Grindcore, Habak, hardcore punk, Haress, Harsh Noise, Heaven In Her Arms, Heavy Jazz, Heavy Metal, heavy music, heavy music culture, heavy psych, I Hope This Hurts, improv, Industrial, Industrial Metal, industrial techno, Inter Arma, Jazz fusion, Jesse Sykes & The Sweet Hereafter, Jonny Nash, K-X-P, Kameel, Kim Hoorweg, Kiss The Anus Of A Black Cat, KMRU, Kollaps, Kowloon Walled City, Krallice, Krallice Future, Krallice Past, Krallice Present, Krautrock, late era set, Lathe of Heaven, Lili Refrain, Live Review, Machukha, Mandy Indiana, Maruja, metal festival, Middle Eastern psych, Milkweed, Moloch, Moonstruck Old Tales, NeoFolk, NGHTCRWLR, Noise, noise rap, Noise Rock, Not Here Not Gone, Nothing, Oathbreaker, Occupational Hazard, Orcutt Shelley Miller, Otay:Onii, Pain Magazine, Paradox, Parrish Smith, past present future, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Pink, Pink Days, Planning for Burial, portrayal of guilt, Post Black Metal, Post Hardcore, post-metal, post-punk, poster art, Power Electronics, powerviolence, Primitive Man, Progressive Rock, Prostitute, psychedelic art, psychedelic folk, Psychedelic Rock, Quest Master, Ragnarök Trio, redefining heaviness, Remembrance, Requiem, Rheia, Richard Dawson, ritual music, Roadburn 2026, Roadburn 2026 artwork, Roadburn 2026 review, Roadburn art, Roadburn artwork, Roadburn commissioned music, Roadburn discovery, Roadburn Festival, Roadburn Festival 2026, Roadburn review, Roadburn Tilburg, Roadburn visual artist, rock festival, Róis, Saetia, SANAM, Scattered Purgatory, Screamo, Shearling, Shoegaze, Siem Reap, Sir Richard Bishop, Slow Crush, Slowhole, sludge, Sludge Metal, space rock, special set, Stoner Metal, stoner rock, Street Sects, Street Sex, TCR Collective, The Cavern, The End Of Purification, The Netherlands, The Spiritual Sound, These New Puritans, Thirst, Tilburg, Tomo Katsurada, Traditional Doom, Traidora, Tria Nema, Truck Violence, Ufomammut, underground hip-hop, underground metal, underground music, underground rock, Unsane, Warning, White Halo, Wiegedood, World music, World Peace, Yellow Eyes, ZU

NEW MUSIC FRIDAY: The Best Heavy Releases of July 3rd 2026

Posted on June 28, 2026 by News Team

Turn it up! The Rock and Metal essential buy/spin list for Friday, July 3rd, 2026! 

Continue reading →


Posted in News | Tagged Agarwaen, Alternative Metal, Alternative Rock, Antiq Records, APF Records, Apocalyptic Witchcraft records, ASR Records, black metal, BMG, Christian Deathcore, Church Road Records, Cleopatra Records, Club Inferno Records, Coprolith, Crust Punk, d-beat, Dark Metal, death metal, DED, Deep Purple, Dichotomy, Dominum, doom metal, Doro, Dragsholm, Drone Alone Records, earMusic Records, Electric Valley Records, Electronic Music, Electronic Rock, epic heavy metal, Epic Metal, Experimental Rock, Fireflash Records, folk rock, Frolic, Generation Landslide, Glam Metal, Gods & Punks, gothic metal, Grindcore, Groove Metal, Hard Rock, Harsh, He Didnt, Heavy Metal, Hectic Records, HPGD Records, Hyver, Illwind, Indie Rock, Koh, L.A. Guns, Magnetic Eye Records, Me Saco Un Ojo Records, Melodic Death Metal, Metal, Metaladian, Metalcore, Methane, Missio, Modern Metal, Moonspell, Mortem, Motorhead, Napalm Records, Nettwerk, New Music, new music Friday, NoLifeTilMetal Records, Nu Metal, Nxmad, Occult Rock, Over The Border Records, Peaceville Records, Pelagic Records, Perception Music, Personal Records, Phobia Records, Pitch Black Records, post-metal, post-punk, Power Metal, progressive death metal, progressive metal, Pseudobiblion, Psychedelic Rock, Punk, punk rock, Rare Diamonds Records, Rauhbein, Recluse, Red Dwarf Star, RFK Records, rock, Rottweiler Records, Season of Mist, Sinsid, Sludge Metal, Smirk, Smoking Room Records, Solace, Soothsayer, Speed Metal, Stoner Metal, stoner rock, Technical Death Metal, Tenebris, The Tirith, Thrash Metal, Thunderchief, ToBeS, Todomal, Totalis, Traditional Doom Metal, Troy The Band, Tsar Stangra, UNFD Records, Vessel Of Light, Witchsorrow

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