ALBUM REVIEW: Coilguns – Everything We Love, We Destroy


Coilgun’s fifth album, Everything We Love, We Destroy (Humus Records), presents the band as Punk music but with a broader depth of nineties Indie Rock influences, with the Pixies being the most prominent. Thus, deciding on having Tom Dalgety mix the album seems less like happenstance, since he also worked with the Pixies. Their Hardcore past can be heard in some of the more emotionally explosive dynamics. There is also a darker Murder City Devils, but without the whiskey-soaked suicidal ideation. “Peace Trader” has a moodier Dinosaur Jr. tinge to it. These guys might self-identify as Noise Rock, but they are not as unhinged as the bands who typically fall under that banner and are sonically best thought of as an aggressive Modest Mouse. A fact highlighted in this song. 

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Slam Dunk Festival 2027 Books Bowling For Soup, Simple Plan, Killswitch Engage, Beartooth, Sleeping With Sirens, The Used, The Front Bottoms, and More


Slam Dunk, the UK’s biggest independent rock festival, is back for 2027 and today unveils its first wave of artists. Hot on the heels of a milestone 20th anniversary this summer, the festival kicks off its 21st edition with a line-up of monumental proportions. Bowling For Soup, Simple Plan, Killswitch Engage, Beartooth, Sleeping With Sirens, The Used and The Front Bottoms top the bill, as 20+ artists join the party across the best in pop-punk, emo, ska, metal and beyond. Continue reading →


ALBUM REVIEW: Dreamwell – Hymns For The Denial Of God


The vast subgenre of Skramz/Screamo was a world that I hardly dipped my toes into back in my formative years, but over time, went continuously deeper. Dreamwell is one of the bands that were just a little deeper below the surface, and also mixed in post-Hardcore and a dash of Atmospheric Black Metal. 

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