Tag Archives: Chris Tippell

ALBUM REVIEW: Woe – Legacies of Frailty

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It has been six years since we last saw new material from Chris Grigg’s Black Metal outfit Woe, and on a global scale it has certainly been an eventful and ultimately catastrophic time in which humanity seems consciously hell-bent on self-destruction and that of the world itself. It is pretty easy to see therefore just where Grigg’s inspiration comes from in the overarching narrative of Legacies of Frailty (Vendetta Records), an album that holds the anguish of such at its forefront alongside a sound of striking ferocity.

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ALBUM REVIEW: Great Falls – Objects Without Pain

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Well into a decade now, Seattle, Washington’s Great Falls have perhaps been an underrated entity, but they certainly are a special one. Their sound embraces the arena around noise rock and post-hardcore, and they have proven to be a strongly emotive force. Some changes in personnel and a previous EP release in Funny What Survives created high expectations about a long-awaited follow-up album, if not quite preparing anyone for how quite distressing it would prove to be.

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ALBUM REVIEW: Celestial Sanctuary- Insatiable Thirst For Torment

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In an ever-increasingly rich and exciting underground Death Metal scene in the UK, Celestial Sanctuary have been a prominent standard bearer and the ones most likely to break out to bigger things. 2021’s Soul Diminished was a case of a very strong debut album which also showed strong potential to be realised and was backed up with some feverishly received live outings, with the band maximising their opportunities with the likes of Undeath, so expectations on the follow up were always going to be high. Expectations which have been well and truly smashed with the immensely realised Insatiable Thirst For Torment (Church Road Records).

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ALBUM REVIEW: An Autumn For Crippled Children – Closure

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Despite the mystique around the band itself (with the identity of the members largely unknown), musically The Netherland’s An Autumn For Crippled Children have been consistent and mostly familiar. Across the span of ten full-length albums, their sound has hardly deviated at all but has shown signs of refinement in the past, with their brand of post-Rock and shoegaze-tinged Black Metal being both despairing and simultaneously almost comforting with the consistency.Continue reading →


ALBUM REVIEW: The Sun’s Journey Through The Night- Worldless

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Whilst perhaps not as highly regarded for the genre as the likes of Norway, the United Kingdom does have a formidable pedigree for producing Black Metal, whether that being down to recognisable names such as Cradle Of Filth up to a current and brilliant crop including the likes of Underdark and Dawn Ray’d. Adding to these ranks are the enigmatic The Sun’s Journey Through The Night, led by vividly masked architect No One (and now joined by equally mysterious Corvus, Deimos, and Lune) and quickly growing a formidable reputation following three, contrasting, full-length albums encompassing raw Black Metal and a full ambient release, plus several smaller releases and demos, leading up to this, their fourth full-length and most realised and adventurous work to date.

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ALBUM REVIEW: The Zenith Passage – Datalysium

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Having been seven years since the release of their stellar debut full-length album Solipsist (Unique Leader Records), it was sadly seeming to be the case that Technical Death Metaller’s The Zenith Passage were perhaps going to be lost to the annals of time. Therefore it is a given news of a follow-up on Metal Blade is very welcome news and perhaps a sign of bigger things to come from them and as evidenced on Datalysium, time appears to have been kind to them.

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ALBUM REVIEW: Calligram – Position – Momentum

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In a world of ever-increasing hardship and struggle, it is easy to feel that dread is a more regularly present and less surprising companion day to day. Certainly, that is a sense that the multi-national (consisting of members from Brazil, France, Italy, and the UK), London-based Calligram convey throughout their sound with their roots consisting largely of Black Metal and Hardcore to a harrowing and ultimately relatable effect. Continue reading →


ALBUM REVIEW: Voice Of Baceprot – Retas

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It isn’t often that a band can make a legitimate claim at making a cultural impact on, or even before, their debut album is released, however, it is one that Voice Of Baceprot (or VOB) can certainly make. Hailing from a largely conservative Muslim province and nation in Singajaya, outside of Garut, West Java, Indonesia, the fact the band consists of three young, hijab-wearing women has generated plenty of ire.

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ALBUM REVIEW: Scar Symmetry – The Singularity (Phase II – Xenotaph)

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It has been nine years since Scar Symmetry released their previous album and the first in a planned trilogy, and time has seemingly not been the kindest to them since then with a plethora of delays (am pretty sure we can all guess one of them by now) preventing them releasing any form of follow up.

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ALBUM REVIEW: Aodon – Portraits

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There are certain facets of life and the world that are absolute. Until the inevitable apocalypse it is simply a given that the sun will rise and set, that the tides ebb and flow, and that, most importantly, Willowtip Records rarely miss. Continue reading →