ALBUM REVIEW: THE MON – Songs of Abandon


In a way, every album has a story. In the case of Songs of Abandon (Supernatural Cat Records) though, the latest release from solo project THE MON, the story is a specific and unique one. Several years ago, Urlo (bass player and vocalist for doomy, heavy-rock unit Ufomammut) decided to try writing nine songs, each one in a day—just himself and an acoustic guitar. Fast forward to 2025 and Songs of Abandon comes as the first part of a two-album concept: Embrace The Abandon (to be followed by Songs of Embrace in the new year). The result is an intimate and eerie collection that favours subtlety over sonic extremes, while maintaining an understated power.

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ALBUM REVIEW: Messa – The Spin


Messa’s fourth album, The Spin (Metal Blade Records), finds the band embracing their inner prog rock guitar gods, and channeling that energy in a few different directions. The first few songs might fake you out as they sound as if the band is heading in a more post-punk direction. The guitars gallop with more tension at a fairly brisk pace. This is certainly a shift from their earlier material that found them as more of a doom band. The vocals are very strong and well-defined from a songwriting perspective, which is the most important element of their sound. The band has always carried a smoky blues-based undercurrent, which is still present, though at times they wander off into more atmospheric shadows, as heard on  ” At the Races”. Their guitarist begins to shine on this one, and his heroics do not let up from here.  Continue reading →


ALBUM REVIEW: Lacolpa – In Absentia Lucis


Lacolpa’s new album, In Absentia Lucis (Brucia Records) finds the Italian band diving deeper into darkness. Their brand of darkness this time is more experimental than most heard this year. While they still self-identify as a Sludge band there is more common ground with Current 93 than with Neurosis. 

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