ALBUM REVIEW: Lacolpa – In Absentia Lucis


Lacolpa’s new album, In Absentia Lucis (Brucia Records) finds the Italian band diving deeper into darkness. Their brand of darkness this time is more experimental than most heard this year. While they still self-identify as a Sludge band there is more common ground with Current 93 than with Neurosis

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REVIEWS ROUND-UP: ft. Church of Misery, Witchskull, Altar of Oblivion, Wytch Hazel, Yawning Man, and Tigercub


 

Nearly thirty years of diving headfirst into the void, and Church of Misery are back with Tatsu Mikami once more giving worship to the Blackest of Sabbath’s, acolyte to ‘The Riff’ and servant to the retro groove once more on Born Under A Mad Sign (Rise Above). Joined once again after a twenty-five-year absence by original vocalist Kazuhiro Asaeda, there is a fine sense of anticipation about the Japanese doom merchants seventh full-length. 

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REVIEWS ROUND-UP: ft. Luke Elliot – The Intersphere – Oceanlord – Godsticks


 

There’s something romantic and cinematic about adopted New Jersey (via Norway) songwriter Luke Elliot’s third album, Let ‘em All Talk (Icons Creating Evil Art) over and above the wistful storytelling. ‘I (Who Have Nothing)’, all film-noir meets spaghetti western vibes with its orchestral flecks, feels torn from an as-yet-unwritten Tarrantino follow-up to Django Unchained, or perhaps the lead single to the debuting next James Bond, while ‘William Tell’ could have been one of the musical interludes from Black Mariah’s club in Luke Cage (Netflix version). 

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