Mutants (Sargent House) is album number three from Stephen Brodsky’s heavy, quirky and often colourful side-project Mutoid Man. And much like his work in Cave In, the music Brodsky creates with Mutoid Man encompasses a whole host of influences, to create a myriad of sounds.
Nearly thirty years of diving headfirst into the void, and Church of Misery are back with Tatsu Mikami once more giving worship to the Blackest of Sabbath’s, acolyte to ‘The Riff’ and servant to the retro groove once more on Born Under A Mad Sign (Rise Above). Joined once again after a twenty-five-year absence by original vocalist Kazuhiro Asaeda, there is a fine sense of anticipation about the Japanese doom merchants seventh full-length.
For anyone fooled into thinking this is 2022, Arctic Monkeys deliver a musical message that the 1970s are still going strong, on their new record The Car (Domino Records) the follow up to 2018’s Tranquility Base Hotel + Casino
With a band name so obscure it’s like they don’t want to be found, a mocking album title and featuring a musical parody of Sergeant Pepper’s Lonely Hearts Club Band, Mr. Phylzzz (pronounced “Mr Flies”) demonstrate on their latest album Cancel Culture Club (Amphetamine Reptile Records), that they aren’t taking anything too seriously.
Fresh off of their informal and partial reunion at theTaylor Hawkins Charity Tribute Concert, Queens of The Stone Age will reissue their classic self-titled debut, as well as their most recent albums on deluxe vinyl. Queens Of The Stone Age (1998) debut album will release digitally on September 22, with a vinyl release date of October 21. Restored to its original track listing and adorned by the long out-of-print original Frank Kozik artwork. December 9th will see a double dose of Queens Of The Stone Age’s most recent efforts: 2013’s …Like Clockwork and 2017’s Villains will both be reincarnated. Pre-orders are live at the link below.
Ripple Music has announced that Stoner Rock/Desert Scene innovators Fatso Jetson are joining the their roster! Their new album is a split release with fellow Californians All Souls (also ex-Totimoshi), with both bands recording their contributions live in the studio during the pandemic lockdown. The release is due this August. More details are soon to follow.
Kyuss continues to cast a large shadow over the stoner doom scene that is perpetual and ever-changing. This truth is no more certain than the shadow they cast over themselves and having to live up the expectations they set. Coming out of nowhere (really the Palm Desert in California), the band set the template for the genre with Blues For The Red Sun (Dali) and Welcome To Sky Valley (Elecktra), but were always going to be hard-pressed to keep that pace. Looking back on their final album And The Circus Leaves Town (Elecktra), it may have not have lived up to its lofty older sisters, but it has some gems that maybe were not appreciated at the time since the band was disintegrating. Continue reading →
It’s time for another Ghost Cult “End Of Year” Guest post! We’ll be sharing lists, memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the globe all month long! We welcome in Sky Valley Mistress! The Blackburn, Lancashire based band will release their debut album next year which they recorded with Dave Catching (QOTSA, Eagles of Death Metal, and Mojave Lords) at Rancho De La Luna in Joshua Tree, California on vis special invitation! Their album is coming soon from the New Heavy Sounds label.Continue reading →
Johannesburg Rockers Dirty Moonshine have teamed up with Ghost cult to bring you the debut of their new music video ‘The Hunt’! This brand new stand-alone single and video follows their acclaimed 2018 album Bottom of the Barrell! Dirty Moonshine lives on riffs for days, grooves and a lot of classic rock n roll swagger that fans of Clutch, QOTSA, Foo Fighters, and Monster Magnet will love! Check out the video now and purchase and stream the track from the links below! Continue reading →
When your name is breathed in the same sentence as Soundgarden and Queens of the Stone Age, it can’t be a bad thing. The influences of Boston trio Sundrifter are clear, but are only a small chunk of their armoury.Continue reading →