Sporting more fuzz than a Pomeranian, Pamplemousse‘s Porcelain (A Tant Rêver du Roi) shows its Grunge and Garage roots. Sporting heavy guitar distortion and ample drums (it’s a duo), these thirty-nine minutes cruise by.
Sporting more fuzz than a Pomeranian, Pamplemousse‘s Porcelain (A Tant Rêver du Roi) shows its Grunge and Garage roots. Sporting heavy guitar distortion and ample drums (it’s a duo), these thirty-nine minutes cruise by.
Girlschool is currently traveling around the United States on what they are calling their Final North American Tour Part 1. Recently, they made a stop at The Gramercy Theatre on 23rd St in Manhattan, and what a stop it was. Continue reading
Nearly thirty years of diving headfirst into the void, and Church of Misery are back with Tatsu Mikami once more giving worship to the Blackest of Sabbath’s, acolyte to ‘The Riff’ and servant to the retro groove once more on Born Under A Mad Sign (Rise Above). Joined once again after a twenty-five-year absence by original vocalist Kazuhiro Asaeda, there is a fine sense of anticipation about the Japanese doom merchants seventh full-length.