EP REVIEW: Slower – Slower


Covering Slayer is a tricky business. Many bands have tried and failed, and despite displaying obvious reverence to the Californian Thrash legends, only a handful have ever really been able to do real justice to the source material. And of those, it’s the ones who arrive from left field that remain in the memory the most.

From Finnish cellists Apocalyptica to LA rap-metallers Body Count, it’s US singer/pianist Tori Amos who produced arguably the most innovative cross-genre take back in 2001 when she gave the world a very different version of “Raining Blood”.  And now it’s the turn of Fu Manchu guitarist Bob Balch, the stoner metal legend getting the idea after teaching a student how to play “South of Heaven” in a different tuning and, well… Slower. Continue reading →


Kyuss Released Their Final Album “And The Circus Leaves Town” 25 Years Ago


Kyuss continues to cast a large shadow over the stoner doom scene that is perpetual and ever-changing. This truth is no more certain than the shadow they cast over themselves and having to live up the expectations they set. Coming out of nowhere (really the Palm Desert in California), the band set the template for the genre with Blues For The Red Sun (Dali) and Welcome To Sky Valley (Elecktra), but were always going to be hard-pressed to keep that pace. Looking back on their final album And The Circus Leaves Town (Elecktra), it may have not have lived up to its lofty older sisters, but it has some gems that maybe were not appreciated at the time since the band was disintegrating. Continue reading →


ALBUM REVIEW: Louise Patricia Crane – Deep Blue


Cutting her professional teeth among serious pedigree as a member of Psych-Rock collective The Eden House Orchestra, the ethereal vocals of Belfast’s Louise Patricia Crane have dripped honey with such luminaries as Monica Richards and Julianne Regan. Debut solo album Deep Blue (Peculiar Doll Records) sees a host of Rock legends lend a hand to create a work of strange, wistful charm, paying due deference to a number of influences in the process. Continue reading →