Regular readers might have been clued in on the fact that I like pop music, so I am not opposed to artists who have a little help from producers. This seems to be the case on Des Rocs’ new album, To Hell and Back (Sumerian Records). If you find yourself like me, going into this album knowing nothing about Danny Rocco, then let’s get you caught up. He got his start playing in a band called Secret Weapons, which had enough connections in the industry to open for Fall Out Boy and Panic at the Disco. Despite writing songs for Zayn from One Direction, it’s unlikely Rocco is going to get called out for being an industry plant, since he is not pretending to be Metal. What they are going for here is big area rock in the vein of Queen, but only focusing on their more flamboyant, soccer stadium shakers than their ventures in prog and disco. Continue reading
Tag Archives: pop rock
EP REVIEW: Mothica – Somewhere In Between
Mothica’s Somewhere in Between (Sharptone Records) steps away from the darker synth pop of her previous full-length, Kissing Death. Her sound has now evolved into something closer to the sonic zip code of artists leaning toward the version of modern metal that blends the genre with pop, like Poppy and Spiritbox. Heavier guitars are just being pushed more to the forefront, so it’s not a huge leap from her previous sound, and it does not feel like she is jumping on a bandwagon. The pop sound she toyed with on her last album is being refined and brought to a larger-than-life, cinematic scale. Lyrically, conceptual, but it deals with themes of inner struggle.
ALBUM REVIEW: Softcult – When a Flower Doesn’t Grow
To Softcult, Shoegaze is the color of ambiance they dress their songs with, rather than a box that defines them. When a Flower Doesn’t Grow (EASY LIFE ENT) is even more polished, and songwriting is on point. The album opens with the hazy breeze of “Pill to Swallow.” The drums create movement even amid the shimmering waves of the guitar. If you are into post-anything guitar playing, the album is worth a listen for how the guitars are dialed in, but you might want to stay for the catchy songwriting. They are not shredding at any point inthis album, but it is an exercise in serving the songs even when they allow restraint to become unchained.


