EP REVIEW: Erase Theory – The Good Kind



Hailing from Los Angeles, California,
Jeff Sahyoun (ex-guitarist of post-hardcore band letlive.) continues to prove his wide-ranged virtuosity with his new project Erase Theory. Following the self-titled debut EP released in early 2023, the band consolidates their innovative charm with their second EP The Good Kind (Icons Creating Evil Art).

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ALBUM REVIEW: Plain White T’s – Plain White T’s


 

Whenever The Plain White T’s come up in conversation, it is seemingly impossible to get in more than a few words before their magnum opus “Hey There Delilah” is mentioned.

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ALBUM REVIEW: Starbenders – Take Back The Night


 

Life is a cabaret, old chums, with the scintillating Take Back The Night (Sumerian Records). A power-packed, credulity-stretching showcase of strong, strong pop-rock songwriting and arranging courtesy of Starbenders; this album is full of punky attitude and thrusting ambition.

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ALBUM REVIEW: Pvris – Evergreen


 

Evergreen (Hopeless Records) is a very ambitious album and frankly by far the most thematically well-rounded and best effort from Pvris yet. Lyndsey Gerd Gunnulfsen has seamlessly planted a flag on the moon here, showing it was her that made this project special all along. Not only a queer champion, Gunnulfsen is a top-notch creator and performer who can back it up with grade-A material with startling philosophical depth amidst the beats and hooks.

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ALBUM REVIEW: Honey Revenge – Retrovision


 

John Mayer once referred to a budding alternative rock vocalist as “the great orange hope” in reference to her hair color at the time of the Riot! album cycle; Mayer was nodding to none other than Paramore’s eccentric powerhouse, Hayley Williams. It can’t be a coincidence that those who hit the ground running don fiery locks that set the stage ablaze – LA’s pop-rock duo Honey Revenge has poured the gasoline and they’re holding a lit match.

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ALBUM REVIEW: Trophy Eyes – Suicide And Sunshine


 

Five years and a near-breakup since their last full-length record, Australian rock outfit Trophy Eyes have fortunately returned for the foreseeable future. The long-awaited fourth album, Suicide And Sunshine (Hopeless Records) has reinforced the connection shared between the four-piece band. In the process, they made their most vocally, musically, and emotionally diverse collection of songs yet.

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ALBUM REVIEW: Louise Post – Sleepwalker


 

As confessed in the song ‘Volcano Girls’ the seether is clearly Louise Post. Even after stepping out from behind the name Veruca Salt for Post’s debut solo album Sleepwalker (El Camino Media), the DNA of the band can be heard all over this album. The youthful enthusiasm that drove the nineties band still empowers this album, making it clear that she still has it.

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ALBUM REVIEW: The Nightmares – Séance


 

Hailing from Newport, Wales, noir pop and alternative rock quartet The Nightmares reveal their bleak yet breezy souls with their debut album, Séance, via Venn and Equal Vision Records. The record’s themes of death were inspired by the COVID pandemic putting a hold on the band’s touring plans, leading to experiments with seances during the writing process. As one could imagine, the mental and spiritual outcomes of this paid a great contribution to the music’s morbid concepts and haunting execution.

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ALBUM REVIEW: Paramore – This Is Why


 

After almost six years since releasing music and an indefinite hiatus, beloved trio Paramore have returned with their sixth studio album, This Is Why (Atlantic Records). Much like their last two albums, this is another one that is best experienced with no expectations…meaning it is no Riot! Part 2 or even After Laughter – the sequel, and hoping so will set you up for disappointment.

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ALBUM REVIEW: Emarosa – Sting



In 2019, Emarosa underwent a brave shift from the harder, alternative scene to a dreamy, pop synth-wave sound with Peach Club. The album garnered lots of attention which led to a sold-out, nationwide tour. Vocalist Bradley Scott and guitarist ER White proved the revamp worked and the duo has returned with a sophomore album to that shift, titled Sting (Out of Line)

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