ALBUM REVIEW: Starbenders – Take Back The Night


 

Life is a cabaret, old chums, with the scintillating Take Back The Night (Sumerian Records). A power-packed, credulity-stretching showcase of strong, strong pop-rock songwriting and arranging courtesy of Starbenders; this album is full of punky attitude and thrusting ambition.

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ALBUM REVIEW: Greta Van Fleet – Starcatcher


 

Turn On. Tune In. Drop Out. That’s the overarching feeling with the newest Greta Van Fleet, Starcatcher (Lava/Republic Records). Starcatcher has swirling browns and oranges reminiscent of the seventies. It evokes lava lamps and black light posters. There is an earthiness to Starcatcher, a richness in tone. It’s an album that is felt as much as it is listened to. Starcatcher’s sound is as close to analog as you can get in this digital age.

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ALBUM REVIEW: Yawning Balch – Volume One


 

Consisting of desert rock pioneers from the legendary acts Yawning Man and Fu Manchu, supergroup Yawning Balch releases an ever-prolific debut entitled Volume One via Heavy Psych Sounds. Just like the album title, Yawning Balch embarks the first volume of their musical career’s trajectory through this debut.

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ALBUM REVIEW: Saint Karloff – Paleolithic War Crimes


 

Norwegians Saint Karloff formed in 2015 and their debut full-length All Heed the Black God followed in 2018. The latest album Paleolithic War Crimes (Majestic Mountain Records) comes as something of a bittersweet release following the sad loss of bassist and founding member Ole ‘Karloff’ Sletner in 2021 (RIP). The writing for this record had started in 2019 with Ole very much on board and to quote the band ultimately, “reflects a band in transition and exploring new paths, but at the same time it retains that proper heavy Karloff-vibe.”

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ALBUM REVIEW: Tanith – Voyager


 

Tanith have perfectly the sound and feel of seventies Hard Rock and Heavy Metal with their latest album, Voyage (Metal Blade). Imagine traveling in a VW bus that is painted with brightly colored dragons and wizards with plenty of magic smoke billowing out the windows. Tanith would be the soundtrack of choice as you travel back in time.

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INTERVIEW: Field Cate of Fencer Discusses Their “Garage Opera” Sound, Mental Health Issues, and More


 

Ghost Cult caught up with Field Cate from up-and-coming rockers Fencer late in 2022 to discuss their upcoming debut self-titled album, due out on February 3rd, 2023 via Blood Blast Distribution. The band also recently performed a holiday livestream concert benefiting the Life Rolls On Foundation. You might know Field’s face or voice from his time as a child and voice actor (Pushing Daisies, the Air Bud franchise films), but he has been plying his trade as a musician along with his band, for some time. We discussed the formation of Fencer, the sound of the band, their impactful songs on streaming services, a frank discussion of Field’s mental health struggles, his goals for the band, and much more

Check out the band’s cover of ”Buena” by Morphine

 

Pre-save the album on streaming:

https://fencerband.lnk.to/debut-album

Pre-order the album and follow the band here:

https://linktr.ee/fencerband

 

More about Life Rolls On:

https://liferollson.org/

For the full list of Ghost Cult gear:

http://bit.ly/OJCPicsKit

This video includes a shoutout (mention) to Jaded Truth:

https://www.instagram.com/jadedtruthofficial

 

Get your band or DIY label a mention in our videos by visiting our pinned post on Twitter!

 

https://twitter.com/GhostCultMag/status/1142861626590355456

or

https://mstdn.party/@ghostcultmag/109366911094435791

 

#fencer

#fieldcate

#retrorock

#garageopera

#throwbacksounds

#liferollsonorg

#bloodblast

#interview

#interviews

#ghostcultmag

 


ALBUM REVIEW: Massive Wagons – Triggered!


 

The British rockers Massive Wagons’ sixth record Triggered! (Earache Records) is another dose of their tried and tested, anthemic classic rock. It is still laced with humour, big riffs and abundant hooks but more raucous. Alongside The Darkness and Slade influences of their last record, the top ten House of Noise, are heavier moments, a touch of soft rock and a bit of reggae.

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ALBUM REVIEW: Crobot – Feel This


Throwback Thursday can now be every day if you believe hard enough. With Crobot’s latest release Feel This (Mascot Label Group), you can headbang and air guitar like it was the 1990s, early aught’s all over again.

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ALBUM REVIEW: Book Of Wyrms – Occult New Age


While the core sound behind Book Of Wyrms has always been a balance between Doom Metal and Space Rock, their third album sees the band committing much more to the latter. Occult New Age (Desert Records) retains the methodical tempos and some of the beefy riffs of 2019’s Remythologizer but ultimately devotes its atmospheric ends to lighter textures and looser structures. The heavier sequences have more in common than Kyuss than Cathedral and their underlying Hawkwind influence had previously never been highlighted to this extent.

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ALBUM REVIEW: Dirty Honey – Dirty Honey


In 2019 things were on the up for the independent LA quartet Dirty Honey; their debut single ‘When I’m Gone’ topped the Billboard Mainstream Rock charts, they toured with Alter Bridge, Guns n Roses, and The Who and sold out their first headline tour in the first two months of 2020 but then covid reared its ugly head put life on hold. Finally things are opening up again and their debut album Dirty Honey is out, and its sound is firmly rooted in 1970s rock.

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