In many ways, Chat Pile’s new album Who Loves the Sun (The Flenser) ironically feels like their Sunbather (Deafheaven). The album will elevate them to a new level as artists not made for radio airplay. You might even think these guys are going to take Noise-Rock to the mainstream. Still, it has pivoted from the hard and fast definition of that genre as a grim post-Grunge sonic effigy of society’s collapse, to one that these songs blame apathy for being the chief motivator. Maybe there is some truth to that theory, but to be honest, I don’t care. Continue reading
Tag Archives: Music Review
ALBUM REVIEW: The Crosses – Outlier
The Crosses is the literal translation of Die Kreuzen, and was around for a decade, a tribute to that legendary band. Ever since that group’s premature 1992 split, Vocalist Daniel Kubinski has been busying himself with a multitude of projects too numerous to list, but includes Deadfinger, Fuckface, Decapitado, Chainfall, and a collaboration with The Lord a.k.a. Greg Anderson (Goatsnake, Sunn))), Southern Lord Records) on the excellent 2023 track “Palliare.” Continue reading
ALBUM REVIEW: Poison Ruin – Hymns From The Hills
On Hymns From The Hills (Relapse Records), Philly’s Poison Ruin prove they are continuing to perfect their craft, past the point of what other Punk bands are doing today. They are not banging out fast, rowdy anthems, but some of their catchiest and most melodic songwriting yet. This connects them closer to the roots of the genre, when Punk emerged from Rock music in the mid-seventies. One of the areas where the band shows the most improvement to achieve this is in the vocals. They retain varied levels of grit when called for, but more sung than just snarled. Continue reading

