There are currently several bands paving the way to the future of Rock and Metal—but British band Bring Me The Horizon is something more. They are the past, present, and future of Rock and Metal all in one.Continue reading
Tag Archives: Jordan Fish
Bring Me The Horizon Parts Ways with Keyboardist Jordan Fish
Metalcore leaders Bring Me The Horizon has announced via social media that long-time keyboardist Jordan Fish and the band have parted ways. Jordan joined the band in 2012 and first recorded with the band on their classic release Sepiternal. Fish provided keyboards, synthesizer, programming, samples, percussion, backing vocals on several more full-lengths and EPs and live albums, including the upcoming release Next Gen. The band commented:
ALBUM REVIEW: Puscifer – Existential Reckoning : Rewired
Puscifer will always be best known as one of the many creative outlets for Tool / A Perfect Circle vocalist Maynard James Keenan, and as an avenue for the most obscure depths of his musical creativity. But the band has always been a collaborative affair, with Keenan working alongside many different artists over the years, with their albums subsequently always providing an infusion of many different ideas and experiences. Existential Reckoning : Rewired (Puscifer Entertainment / Alchemy Recordings/ BMG) is the remix accompaniment to their 2020 album, which itself was a typically avant-garde electro-rock melting pot of futuristic and otherworldly sounds.
Bring Me The Horizon – That’s The Spirit
If life is a journey, Bring Me The Horizon are living one helluva good one. From hated deathcore upstarts, bottled and attacked when playing support shows, to the slick, progressive metalcore of their breakthrough album Sempiternal (RCA/Epitaph), their career has been one of continuous upwards movement, both creatively but also commercially, a trend that is perpetuated by their excellent fifth album That’s The Spirit (RCA/Columbia).
While BMTH are no longer a “metal” band (while they haven’t been for a while, they’ve truly stepped outside those bounds now) their continued exploration of a poppier, slicker sound unreservedly suits them. Leaving behind the trappings of scenes metalcore and deathcore, That’s The Spirit takes the band into unchartered territories of song-writing and production to create an excellent modern rock album.
Starting the album with the subdued build of ‘Doomed’, the tone is set for something special as the reflective piece resets expectations, all subtle electronica and disseminated guitars. Partner in crime ‘Happy Song’ picks things up, utilizing a child vocal hook much like Faith No More’s ‘Be Aggressive’ before a lurching, thick riff courtesy of Lee Malia, who really shines as a diverse and clever player across the spectrum of the album, backs up the songs eponymous hook.
Smartly, …Horizon have continued their evolution, replacing the frenetic punkcore style of There Is A Hell… (Visible Noise), via Sempiternal, with a more controlled, dynamic and poppier approach; an approach that has led to a thousand-fold improvement in their song-writing. Whatever you do, don’t confuse replacing aggression with control as a sign of weakness – there is a powerful energy throughout.
They always had an x-factor, now they have refinement and intelligence and know how to channel that spark into top quality songs. Tracks like ‘Avalanche’ are enhanced by the full integration of keyboard player Jordan Fish adding strings, synth motifs and subtle electronica to back up a beast that swirls from down to upbeat, and another strong chorus, led by the excellent Oli Sykes.
Only the sedate ‘Follow You’ shows a slight dip in quality and there are highlights throughout; no less than ‘Throne’ with its poppy synth intro and Linkin Park trappings, a truly uplifting pop metal anthem. ‘True Friends’ and ‘Blasphemy’ BMTH show they’ve lost none of their cynicism, but more than that, they demonstrate the progression of Sykes from screamer to genuine lead singer, with powerful throaty moments leading to sweeping choruses, and he combines the two on the rockier catchy ‘What You Need’, a track fuelled by a juddering stadium-filling death rock bass line. ‘Drown’, initially released a year ago to prepare the way for the new BMTH sound, is an expertly crafted modern alternative rock song. Final track ‘Oh No’ closes the circle, a reflective yet upbeat poppy piece, reminiscent of the best moments of 30 Seconds To Mars, with Woah-ohs and dance synths closing things off with a smile.
Kudos must also go to Fish and Sykes for a stunning production job, with all the touches and trappings of the best pop productions balled up into huge rock sound. Influences may have switched from Norma Jean and At The Gates, but by moving beyond their contemporaries in quality, style and songwriting, BMTH now stand in class of one; truly at the top of the mountain.
If Suicide Season (Visible Noise/Epitaph) was their rebirth, There Is A Hell… the teenage ruttings of a band truly finding themselves and Sempiternal their coming of age album, That’s The Spirit is Horizon maturing into a fine young adult, confident, strong and secure in themselves and the knowledge that they are now master craftsmen.
Successfully combining every good aspect of alternative rock and metal of the last fifteen years, That’s The Spirit is Bring Me The Horizon’s “Black Album” moment.
9.0/10
STEVE TOVEY