Spiral In A Straight Line (Rise Records) is Touché Amoré’s sixth album. They are not only more confident in who they are as a band, but continuing the journey fussy they are not capable of explosive emotional outbursts as heard in the song. This is handled in a more Punk way, with less overt emoting. The more polished production compliments the progression of their creative path, with the guitars being where growth is most evident. On a song like “Hal Ashby” they embrace the late nineties all over again thanks to the jangle of the guitars. This feels the most like what we once called Emo with a punk drive that thankfully owes more to Hot Water Music than Blink-182.Continue reading
Tag Archives: indie
ALBUM REVIEW: Vafurlogi – Í vökulli áþján
The Icelandic music scene has always been an integral part of me that shaped my identity into the person I am today, ever since I was a middle schooler (which is also what got me into learning Icelandic at 12. Who on earth learns Icelandic at 12, in this economy?). The metal festival Eistnaflug and the multi-genre festival Iceland Airwaves have always been on my ongoing bucket list.Continue reading
ALBUM REVIEW: Alcest – Les Chants de L’Aurore
Alcest began as a solo Black Metal project for French musician Neige at the turn of the millennium, and have since forged themselves a fine reputation as one of the pioneering bands of the Blackgaze sound. Continue reading
INTERVIEW: Shybaby Is Ferocious and Romantic on the Debut Album “Is This Intimate”
Brooklyn-based DIY Punk Shybaby doesn’t shy away from screaming her heart out and expressing her unapologetic vulnerability on her debut album Is This Intimate. Released on March 1st, 2024, she admits this project was an attempt to say all the things she’s been longing to convey. Reminiscent of a modern-day Debbie Harry of Blondie, Shybaby infuses DIY punk with Ramones-esque bubblegum flavor to create a body of work that brings a brutal burst of color to the current punk scene.Continue reading
ALBUM REVIEW: Frank Carter and The Rattlesnakes – Dark Rainbow
If every action has an equal and opposite reaction (or some such other attempt to pretend I paid attention in Science class all those years ago), it is no surprise that Dark Rainbow (International Death Cult) thinks where Sticky bounded in head-first, that it shows vulnerability where its predecessor presented a larger-than-life gregarious face.
Fifth dance for Frank Carter & The Rattlesnakes, Dark Rainbow sees Frank and partner-in-crime Dean Richardson continue their approach of creating a sound and style for each album that, while it has definable elements that ensures that despite any skin that is shed the remaining vipers are undeniably “Rattlesnakes”, sets each release apart from it’s siblings. Continue reading
ALBUM REVIEW: Baroness – Stone
Since the music of Baroness has been unlike any other band to me, and more akin to a spiritual experience since I first got into them in 2007, I set the mood for myself before listening. I turned the lights down low, cracked the window open to get a nice breeze going, and heard the sound of large late summer raindrops filling my ears. The city’s heartbeat in the deep background was the only other sound besides my breathing. I just stared at the new album artwork for five straight minutes. At peace for a change, in the still and calm of myself, and by chance, present in the city of my birth for a few days, I hit play on the promo and then let the first notes hit me.
ALBUM REVIEW: Mr. Phylzzz – Fat Chance
Amphetamine Reptile, remember them? The legendary Noise-Rock label home to countless legends such as Helmet, Melvins, The Jesus Lizard, Tar, etc etc. In later years a newer generation of bands emerged that includes Gay Witch Abortion, White Drugs, Hepa-Titus, and of course Mr Phylzzz.
EP REVIEW: PLAIINS – Puppet – self-released
It’s not every day you come across a band with members from Hong Kong, Israel, and Germany, giving them such universally diverse perspectives as the shameless genre-benders of PLAIINS – let alone ones with the musical chemistry to create an EP like Puppet (Self-Released). Through a seamless blend of punk, indie, hardcore, and alternative rock, the multicultural trio uses their range of experiences to oppose political issues from around the globe. Thus, making them lyrically relatable across nations, as well as sonically appealing to indie and punk fans alike.Continue reading
ALBUM REVIEW: Adanowsky – The Fool
The multicultural and multi-talented Adanowsky has turned his hands to many things – acting, directing, producing, and making music. Written during the pandemic and taking inspiration from tarot cards, is his latest album The Fool (Universal Music Mexico). This is the French-Chilean-Mexican polymath’s tenth album and it is a down-to-earth one; a soft and melodious melting pot of pop, indie, folk, funk, and his Latin American roots.
EP REVIEW: Exploring Birdsong – Dancing in the Face of Danger
It’s uncanny when a new band emerges on the scene with as much vigor, talent, control, and singularity as it would from a seasoned act. Somehow, the Liverpool trio catapulted themselves into immediately noteworthy status. Piano-driven and guitar-less, Exploring Birdsong brings essences of progressive rock, eighties nuance, indie, and alternative pop together to create a sound that is solely their own; they’re uncategorical.