ALBUM REVIEW: Coilguns – Everything We Love, We Destroy


Coilgun’s fifth album, Everything We Love, We Destroy (Humus Records), presents the band as Punk music but with a broader depth of nineties Indie Rock influences, with the Pixies being the most prominent. Thus, deciding on having Tom Dalgety mix the album seems less like happenstance, since he also worked with the Pixies. Their Hardcore past can be heard in some of the more emotionally explosive dynamics. There is also a darker Murder City Devils, but without the whiskey-soaked suicidal ideation. “Peace Trader” has a moodier Dinosaur Jr. tinge to it. These guys might self-identify as Noise Rock, but they are not as unhinged as the bands who typically fall under that banner and are sonically best thought of as an aggressive Modest Mouse. A fact highlighted in this song. 

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NEW MUSIC FRIDAY: Rock and Metal Release Radar – September 18th 2026


New from the labels, straight to you. It’s New Music Friday for September 18th 2026.

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ALBUM REVIEW: Nothing – A Short History Of Decay And Ruin


 

A Short History Of Decay And Ruin (Run For Cover Records) is Nothing‘s fifth album. It opens with a more organic feel as a new level of vulnerability is exposed with the strum of an acoustic guitar and the vocals stepping out from behind the indifferent haze of effects. A clever way to lure you into this album, it gives the impresion Domenic has stepped away from Shoegaze into some kind of Emo/Indie Rock, but by the time you get to the second song and lead single “Cannibal World,” it’s clear to see this is not the case, but he is still toying with the expectations of what Shoegaze can be as a break beat drum sample keeps the song moving. Yet the main vibe that consumes the overall sound is a return to the woozy swirl of My Bloody Valentine-influenced guitars.

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