ALBUM REVIEW: The Struts – Pretty Vicious


 

The Struts’ new album Pretty Vicious (Big Machine Records/John Varvatos Records) starts with the strutting, tongue-in-cheek tale of hedonism “Too Good at Raising Hell” – done in their signature mix of The Darkness, Queen and the Rolling Stones.

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ALBUM REVIEW: Rival Sons – Lightbringer


 

You wait four years for a Rival Sons album and, just like buses, two come along at once. Lightbringer (Atlantic Records) is the new record from the Californian quartet, following on from companion piece Darkfighter which came out in June this year. With the everpresent Dave Cobb behind the desk, their eighth album is a compact six track offering that mixes their classic, fuzzed up Rock N Roll with atmospheric Folk and acoustic elements to great effect.

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ALBUM REVIEW: Electric Boys – Grand Explosivos


 

Swedish rockers Electric Boys had a bit of success in the late eighties and early nineties when their boisterous Funk Metal track “All Hips n’ Lips” caught the eye of MTV and their first two albums, Funk O Metal Carpet Ride and Groovus Maximus, caught the eye of the public. Things fizzled out in 1994 but they reunited fifteen years later and have been steadily releasing new material since.

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ALBUM REVIEW: She Burns Red – Out of Darkness


 

 

Punchy album opener “Touch” sets the tone for She Burns Red self-released debut Out Of Darkness (Self-Released) – emotive Hard Rock with fiery riffs, impassioned vocals, and a strong alternative influence. The Scottish rockers first record comes three years after their EP Take Back Tomorrow, and it mixes Metal-style heaviness and grunge soul-bearing, with Foo Fighters’ hooks and Wildhearts pop-punk smarts.

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ALBUM REVIEW: Rival Sons – Darkfighter


 

Since their debut in 2009, Long Beach four-piece Rival Sons have been cranking out seventies-influenced rock records at regular intervals. Since Feral Roots in 2019, COVID forced them to take their time on the follow-up – it turned out to be time well spent as they have two albums due for release this year, Darkfighter and Lightbringer (Elektra/Low Country Sound). Darkfighter is the first one to be released and it is a tight, eight-song offering that continues their accomplished rock n’ roll – marrying Free, Led Zeppelin, and Black Keys influences to Dave Cobb’s rich production values.

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ALBUM REVIEW: Yes – Mirror To The Sky


 

Mirror To The Sky (Inside Out Music) is Yes’ 23rd album and sees them in somewhat of a productive patch, coming just two years after the previous offering The Quest. Steve Howe is on production duties and is the only surviving member from the band’s heyday after the sad passing of longtime drummer Alan White last year. Despite this Mirror… is undeniably Yes, from the punchy bass lines, fantastical lyrics, and soaring vocals to the dramatic orchestration, long Prog Rock epics, and the obligatory Roger Dean artwork.

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ALBUM REVIEW: Blood Ceremony – The Old Ways Remain


 

After a seven-year wait, psychedelic rockers Blood Ceremony are back with their new album The Old Ways Remain (Rise Above Records). This is their fifth record and it sees the Canadian quartet successfully add Folk, Pop, and Jazz elements to their already multifaceted, woozy psychedelic rock.

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ALBUM REVIEW: Adanowsky – The Fool


 

The multicultural and multi-talented Adanowsky has turned his hands to many things – acting, directing, producing, and making music. Written during the pandemic and taking inspiration from tarot cards, is his latest album The Fool (Universal Music Mexico). This is the French-Chilean-Mexican polymath’s tenth album and it is a down-to-earth one; a soft and melodious melting pot of pop, indie, folk, funk, and his Latin American roots.

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ALBUM REVIEW: Understand – Real Food At Last


 

Essex (UK) Hardcore group Understand formed in 1992 and in their initial run fitted in an EP, a promising debut Burning Bushes and Burning Bridges, lots of buzz, and an underground following. Their relationship with the previous label East/West dissipated and during ‘98 they had some tracks in the can and were looking for a new home but alas things fizzled out in before the end of the century

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ALBUM REVIEW: The Bouncing Souls – Ten Stories High


 

From the crashing chords, Greg Attonito’s emphatic vocal style, and taut melodies of the title track you know exactly what The Bouncing Souls’ new record Ten Stories High (Pure Noise Records) is all about; raucous, to the point, Pop Punk. This is their twelfth album and it definitely does not outstay its welcome – these ten songs are all wrapped up in under twenty-six minutes.

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