ALBUM REVIEW: Astralborne – Across The Aeons


 

Being based in the US, you’d probably expect a relatively new band like Astralborne, formed in 2018, to adopt more popular current musical traits in order to attract attention. However, instead of going for standard metalcore vocal trappings or deathcore breakdowns in drop Z, the enterprising Ohioans keep clean singing and Djent at the door, owing far more to the likes of European melodeath acts such as Arch Enemy, (early) In Flames and Amon Amarth.

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EP REVIEW: Beltfed Weapon – Darkened Demise


 

Beltfed Weapon has often felt like a fun but sort of long-running vanity (but nonetheless valid) project for Seattle’s talented Frank Hetzel, many years between quite short releases featuring a who’s who of underground metal players guesting in support of a slightly odd discography. It is strange to me that there aren’t a series of full-lengths after so much time spent between releases, but every shorter thing Frank has released still has moments to enjoy for the casual thrash, death, and (at times) power metal fan.

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EP REVIEW: Omnium Gatherum – Slasher


 

Following on from 2021’s Origin, Finnish melodeath act Omnium Gatherum have gained a sixth member in former Arch Enemy guitarist Nick Cordle and recorded Slasher (Century Media), a thunderous four-track EP which plays directly to the band’s many strengths.

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ALBUM REVIEW: Unearth – The Wretched; The Ruinous


 

Everything is cyclical, isn’t it? These days I read numerous think pieces telling me how Nu-Metal is experiencing a revival. There are even young bands like Tetrarch and Tallah that openly identify themselves as being nu-metal acts. Would’ve never thought that possible ten years ago. No way. But yet here we are, and it seems like we all plan to attend the Coal Chamber show.

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ALBUM REVIEW: Xandria – The Wonders Still Awaiting


 

One thing which the German symphonic metal act Xandria cannot be accused of is staleness. A seemingly constant revolving door of members since day one, there simply isn’t enough time for inertia or sterility. The musical merry-go-round did slow down recently though, as for only the second time the band did actually manage to keep the same line-up for more than one record. However, it all changed once again as guitarist and founder member Marco Heubaum returns not only with an entirely refreshed group of musicians, but a noticeable modification to the band’s sound.

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Hellfest 2023 Books Kiss, Mötley Crüe, Iron Maiden, Slipknot, Def Leppard, Pantera, Porcupine Tree, Amon Amarth, Alter Bridge, and More


After their biggest year ever this year, Hellfest 2023 has booked headliners Kiss, Mötley Crüe, Iron Maiden, and Slipknot! Set to take place June 15-18, 2023 In Clisson, France, the bill also includes Def Leppard, Pantera, Porcupine Tree, Amon Amarth, Alter Bridge And Within Temptation, and more! Headliners for the 2022 edition of Hellfest included Guns N’ Roses, Metallica, Judas Priest, Deftones, Ghost, Scorpions, and Korn over two long weekends to make up for the missed pandemic year of 2020.

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Graspop Metal Meeting Books Pantera, Slipknot, Disturbed, Amon Amarth, Arch Enemy, Kreator, Meshuggah, Gojira, Parkway Drive, Testament, Voivod, and More


Pantera, Disturbed, Amon Amarth, Arch Enemy, Architects, Behemoth, Kreator, Meshuggah, Gojira, Parkway Drive, Testament, Voivod are among the 103 artists who have been added to the 26th edition of the Graspop Metal Meeting, set to take place June 15-18, 2023 in Dessel, Belgium. Tickets are on sale tomorrow at the links below. Continue reading


CONCERT REVIEW: Behemoth – Arch Enemy – Carcass – Unto Others Live at 02 Apollo, Manchester


First time at the O2 Apollo, a lovely, antiquated venue, it has a very old-school theatre vibe to it, and as would become apparent for most sets tonight the sound and lighting were top-drawer. Continue reading


ALBUM REVIEW: Defacing God – The Resurrection of Lilith



 

Hailing from the land of Hans Christian Andersen, Vikings and Lego, Danish melodic death metal act Defacing God exist in the world of witchcraft and the occult, their debut album The Resurrection of Lilith (Napalm Records) a monstrous slab of European extremity with a heavily symphonic touch.

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