ALBUM REVIEW: Katatonia – Nightmares as Extensions of the Waking State


Nightmares as Extensions of the Waking State (Napalm Records) marks Katatonia’s third album without founding guitarist Anders Nyström (editor’s note: his hiatus is now a permanent departure). This leaves Jonas Renske to steer the ship into darker and increasingly progressive waters of melancholy. A formula is in place, and the new guitarists navigate it well. They continue to demonstrate a fearless willingness to bust out a guitar solo with their feet firmly on the monitor, to invoke the era of guitar heroes past. The heaviest element might be Jonas’ lyrics, which retain a sharp bite on this album. The drumming is consistent in playing down solid grooves, allowing the band to back off and create more space for the fragile emotion of Jonas’ croon. The band maintains its persona.  Continue reading →


ALBUM REVIEW: Red Moon Architect – October Decay


Finland’s very own Red Moon Architect has just recently released their sixth studio album via Noble Demon Records, entitled October Decay. Hailing from the south-eastern part of the country in Kouvola, Red Moon Architect initially started as a one-man project by drummer Saku Moilanen, and has gone through several lineup changes throughout the years, with their current lineup consisting of Ville Rutanen operating on harsh vocals and Anni Viljanen on clean vocals.  Continue reading →


ALBUM REVIEW: Rezn – Burden


It’s been a logical progression from the bong-laden wonderment of REZN’s 2017 debut to the band’s newest effort Burden (Sargent House), which finds Chicago’s sonic sorcerers expanding their minds and sound, with their newest offering feeling darker than previous offerings, though in a more hazy moonlit laced with a dopamine deficit-induced depression fashion, as the mood to the underlying themes.  Continue reading →