It’s been a logical progression from the bong-laden wonderment of REZN’s 2017 debut to the band’s newest effort Burden (Sargent House), which finds Chicago’s sonic sorcerers expanding their minds and sound, with their newest offering feeling darker than previous offerings, though in a more hazy moonlit laced with a dopamine deficit-induced depression fashion, as the mood to the underlying themes. Continue reading
Rising from Hastings, England, Punk quartet Kid Kapichi unveils their third album There Goes The Neighbourhood (Spinefarm Records), the blunt and cheeky follow-up to 2022’s Here’s What You Could Have Won. The album maintains the distinct personality the group is known for, utilizing it to present their political ideologies while keeping the music light and fun. Continue reading
If every action has an equal and opposite reaction (or some such other attempt to pretend I paid attention in Science class all those years ago), it is no surprise that Dark Rainbow (International Death Cult) thinks where Sticky bounded in head-first, that it shows vulnerability where its predecessor presented a larger-than-life gregarious face.
Fifth dance for Frank Carter & The Rattlesnakes, Dark Rainbow sees Frank and partner-in-crime Dean Richardson continue their approach of creating a sound and style for each album that, while it has definable elements that ensures that despite any skin that is shed the remaining vipers are undeniably “Rattlesnakes”, sets each release apart from it’s siblings. Continue reading