Ex-SubRosa leading member Rebecca Vernon embarks on a solo project journey four years after SubRosa’s disbandment under the moniker of The Keening, presenting a full-length consisting of Gothic Chamber Doom elements, accompanied by the feature of a handful of instruments, being flute, strings, harp, French horn, piano, organ, and hammered dulcimer – creating a vast multitude of echoed soundscapes.
Norwegians Saint Karloff formed in 2015 and their debut full-length All Heed the Black God followed in 2018. The latest album Paleolithic War Crimes (Majestic Mountain Records) comes as something of a bittersweet release following the sad loss of bassist and founding member Ole ‘Karloff’ Sletner in 2021 (RIP). The writing for this record had started in 2019 with Ole very much on board and to quote the band ultimately, “reflects a band in transition and exploring new paths, but at the same time it retains that proper heavy Karloff-vibe.”
Canadian post-black metallers Panzerfaust return with their sixth album, and the third in The Suns Of Perdition series. Sharing their name with a German World War II anti-tank missile, and the classic 1995 lo-fi album from Norwegian second wavers Darkthrone, Panzerfaust having been carving away a niche following with their distinct sound and conceptual albums since 2005, this time styling the lyrical theme of III: The Astral Drain (Eisenwald) on mankind’s collective descent into madness. Continue reading