ALBUM REVIEW: Eye – Dark Light


Eye is the new project of MWWB (formerly Mammoth Weed Wizard Bastard) frontwoman Jessica Ball and Dark Light marks its debut following MWWB’s  2022 album The Harvest. Joining Ball in her latest venture are keyboardist Jonny and Drummer Gid Goundrey (Gulp/Ghostlawns/Martin Carr). Continue reading


EP REVIEW: Dreamwheel – Redeemer


 

The Redeemer EP (Nefarious Industries) is the debut release from Dreamwheel, a duo consisting of Evan Linger (guitar, bass, piano, synth — also of Skeletonwitch and Cultist) and Julia Gaeta (vocals — also of Madrigal and Light of the Morning Star; formerly of Albez Duz and Restless Ghosts). On this album, the core members are also aided by James Stewart (drums) and Tom Zwanger (percussion and sounds).

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CONCERT REVIEW: Ville Valo – Kælan Mikla Live at Saint Andrew’s Hall


HIM (aka His Infernal Majesty) is one of the biggest, most successful bands to come out of Finland. Love Metal is not only the name of their fourth full-length album, but it is a genre of music they invented. So, it is fair to say many were dismayed when these Finnish fellas broke up six years ago. Yet hope was rekindled when frontman Ville Valo (aka VV) announced his debut solo album in 2022. Neon Noir (Heartagram Records, read our review here) was released earlier this year and has received high praise. Now the man is on the road again sharing his new tunes and some HIM classics on his headlining world tour. Valo brought his romantic rock to Detroit and blessed Saint Andrew’s Hall with his presence. The Live Nation venue was a perfect pit stop for this tour since it is a premiere music site that caters well to hot and flashy rock bands. Our local baseball team, The Detroit Tigers, had their opening day the same evening as Valo’s big show so the streets of the city were bustling and full of hubbub. That energy spilled into the beloved hall and made the night a colorful experience. 

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ALBUM REVIEW: Lamp Of Murmuur – Saturnian Bloodstorm


For forty uncertain, eerie and downright unsettling minutes, black metal project Lamp Of Murmuur grips the listener with a sturdy hand and refuses to let go until fear, disgust and melancholy take over.

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ALBUM REVIEW: Katatonia – Sky Void Of Stars – Napalm Records 


 

It is an often overlooked but undeniable fact that up to the present day, Katatonia is on a phenomenal creative run; arguably one of the best in Metal music, in general. Since 2006’s The Great Cold Distance (and arguably even before this), Katatonia have been consistently put out near classics up to 2016’s excellent The Fall Of Hearts, with even 2020’s hiatus ending City Burials (all Peaceville) standing shoulder to shoulder with such works. Firmly returned from a brief absence, 2023 sees the band’s second album since this return, on a new label home for the first time in their career.

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ALBUM REVIEW: Faith In Jane – Axe To Oak


 

Since forming in 2008, Thurmont, Maryland trio Faith In Jane has racked up an astounding eight releases of which Axe To Oak (Grimoire) is the latest. Quite impressive when you consider it takes a band such as Guns ‘N’ Roses decades to put out new music. The band is comprised of Dan Mize – guitar/vocals, Brendan Winston – bass, and Alex Llewellyn on drums.

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Carach Angren Shares Epic Music Video for “Franckensteina Srataemontanus”


Dutch Symphonic Blackened Metallers Carach Angren has shared a new music video, the positively amazing “Franckensteina Srataemontanus.” The track is the title track from their recent new album, out now via Season of Mist. The album trellis the story of the vicious and troubled Conrad Dippel, the real-life inspiration of Mary Shelly’s original horror classic novel Frankenstein. Watch the video, Directed by Zoran Bihac, right now and purchase and stream the album at the link below. 

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PODCAST: Episode 125: Burton C. Bell on Ascension of The Watchers


We caught up with music legend Burton C. Bell (ex Fear Factory) of Ascension of the Watchers for a new podcast, to chat all about his new album Apocrypha (Dissonance Productions). We chatted about the history of the band, the lead up to making this new album, Burton’s songwriting process, how he derives inspiration from film scores and soundtracks, his bandmates Jayce Lewis and John Bechdel (Ministry, Prong), the spiritual side to his lyrics and themes he writes from, the concept of “modern analog” and how it influenced the recording, memories of the late Paul Raven (Killing Joke/Prong), some thoughts on other projects like City of Fire and G/Z/R, and much more. Order the album here, and check out our chat. 

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EXCLUSIVE PREMIERE: The Nocturnal Affair – “Beyond The Wall Of Sleep” Lyric Video


Just in time for the season of all things spooky, we bring you melancholic Gothic Metallers The Nocturnal Affair and their creepy new music video for “Beyond The Wall Of Sleep”! The band is led by singer/songwriter Brendan Shane, with his smooth and dusky voice and deft melodic sense, he creates a stark contrast to the heavy and gloomy instrumentation. Riffs, double-bass beats, and haunting synths will catch you in the feels and bring you closer. The Haunted House vibe of the lyric video is the perfect Autumn bring me down, to the grave! The track is the first taste of their debut album (Meta)morphosis, due out in early 2021 and it was produced by John Moyer (Disturbed), with mixing and mastering by Logan Mader (Machine Head, Once Human). Logan also contributed to some of the songwriting and production. Check out the video now! 

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ALBUM REVIEW: MJ Guider – Sour Cherry Bell


Sour Cherry Bell (Kranky) is the second full-length release from New Orleans-based artist Melissa Guion, who releases music under the moniker MJ Guider. It primarily deals in atmosphere. Guion uses heavily processed electronic textures, often drenched in thick treacle-like reverb, to create moody and evocative soundscapes. There are synthetic drum sounds, but this is certainly not dance music. The emotion-laden washy chord sequences recall the 1980s “Gothic” music and perhaps the “shoegaze” that followed in its footsteps, but this is music that doesn’t fit neatly into any category. Many of the sound-worlds have a lush warmth which lends them a meditative quality, but there is also an unsettling element of tension, as though dissonance and harmony are in competition with each other. Guion’s voice is tender and graceful and with it, she weaves flowing melodies. But the voice is often intentionally distant – buried in the mix and concealed by long reverb tails. It feels as though Guion has intentionally engineered a situation where opposing elements battle it out for dominance. These songs could have been presented in a radio-friendly indie package, but instead, the melodies and words only just lift their heads above the walls of noise that encase them. It takes audacity and boldness to attempt this sort of approach which flouts so many of the accepted rules of composition and music production. It seems that Guion was pushing the boundaries of her creativity and her tools: “I was curious to see how far I could go with them, even if that meant reaching the ends of their capacity to do what I wanted.”Continue reading