The Redeemer EP (Nefarious Industries) is the debut release from Dreamwheel, a duo consisting of Evan Linger (guitar, bass, piano, synth — also of Skeletonwitch and Cultist) and Julia Gaeta (vocals — also of Madrigal and Light of the Morning Star; formerly of Albez Duz and Restless Ghosts). On this album, the core members are also aided by James Stewart (drums) and Tom Zwanger (percussion and sounds).
I’ve been eagerly awaiting this show for months since its announcement. Helloween and Hammerfall: two staples of the Power Metal movement invaded the Worcester Palladium on a warm clear night. When I arrived, enthusiastic metal heads were wrapped around the building and down the block. After I got my credentials and ventured inside and waited for the show to start.
On Troll (By Norse Music) Drott draws from Scandinavian folklore to create a soundtrack for the listener to inhabit a dank, murky forest, with the eponymous troll close enough that you can smell it, delivered via dark, slightly campy electronic rock soundscapes that would feel totally in place in a (not too scary) fantasy/ horror movie. Continue reading →
In lieu of releasing a full-length album in one fell swoop, Oceans instead decided to divide their eight tracks into a pair of EPs – one released in early 2022 and the other six months later. That second mini-record – Hell Is Where The Heart Is: Longing (Nuclear Blast) – features four straightforward post-metal compositions, and follows the trail blazed by, Hell Is Where The Heart Is: Love.Continue reading →
Versatility is something that, depending on the bands and or sub-genres I listen to, has become the main characteristic I look at when listening to new bands and/or new records. Zeal & Ardor checks all of the boxes when defining versatility. This is a band that exceptionally fuses heavy music with some more popular sounds. Have you ever thought you were going to listen to a Black Metal album with R&B melodies and more? Zeal & Ardor has it for you in their latest release Zeal & Ardor (MVKA).
We all enjoy surprises, don’t we? 2022 has begun stronger than 2021 at this point bringing at least ten new, exciting album releases and we’re just only about to enter the fourth week of the year. But no album has given me the chills as much as SOM’s The Shape Of Everything (Pelagic Records).
I can’t think of a more perfect way for reunited/reformed Death Metal legends Entombed to return than a live version of one of their most revered albums. Yeah sure Wolverine Blues and Left Hand Path a classics, but I think Clandestine Live (Threeman Recordings) is even better and serves as a timely reminder of just how influential this band is.Continue reading →
Within the Deathcore genre Whitechapel are one of the true originators of the sound and in 2016 they released an album called Mark Of The Blade (Metal Blade). To say it was a divisive album would be an understatement, in a story which has been told many times before the band chose to broaden their creative horizons with a cleaner production and clean vocals. In some corners new album The Valley (also Metal Blade) is being touted as a turning point.Continue reading →
Normally August Burns Red EPs are, believe it or not, a bunch of Xmas songs given a metal makeover. However, this time to bridge the gap between recent album, The Phantom Anthem, and the next record, they have decided to release The Phantom Sessions (both Fearless Records) which features an eclectic mix of new songs, covers and rearrangements of songs from the 2017 album.Continue reading →
I’ve written a few times in reviews about the current resurgence of the Nu-Metal sound that was so popular and prevalent in the mid 90’s to early 2000’s. Ultimately the genre became so over saturated and watered down it imploded with only a handful bands surviving and progressing beyond it. Looking to pick up the nu-metal ball again are Arizona’s Dropout Kings who are about to release their debut album Audiodope(Napalm Records). Continue reading →