ALBUM REVIEW: Guilt Trip – Severance


 

There’s just something about the last handful of years and releases that are classified as either crossover Thrash or Metallic Hardcore that absolutely kills it. Moreso, when an album drops that has a mix of both of these subgenres, like the UK-based Guilt Trip, it’s just everything you want out of aggressive music on a bad day. With that, unleashed onto the world is Severance (via Malevolence’s label, MLVLTD), Guilt Trip’s sophomore full-length, an album that puts you through the grinder and spits you out for thirty-four minutes.

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EP REVIEW: Chupacabra – Fortified With Ashes


 

Chupacabra is an interesting name for a Thrash/Death Metal band. I’m honestly surprised it hasn’t been taken for a band already. Perhaps the band may tour with Thrashsqatch in the future, perhaps call it; Into the Crypt with the Cryptids.

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ALBUM REVIEW: Evile – The Unknown


 

Perhaps the noticeable increase in crossover thrash coming out this year is intended to fill the void left by bands like Power Trip and Slayer. Rather than jump on this bandwagon, British thrashers Evile are slowing things down on The Unknown (Napalm Records) to focus on songwriting.

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ALBUM REVIEW: Voice Of Baceprot – Retas


 

It isn’t often that a band can make a legitimate claim at making a cultural impact on, or even before, their debut album is released, however, it is one that Voice Of Baceprot (or VOB) can certainly make. Hailing from a largely conservative Muslim province and nation in Singajaya, outside of Garut, West Java, Indonesia, the fact the band consists of three young, hijab-wearing women has generated plenty of ire.

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EP REVIEW: Beltfed Weapon – Darkened Demise


 

Beltfed Weapon has often felt like a fun but sort of long-running vanity (but nonetheless valid) project for Seattle’s talented Frank Hetzel, many years between quite short releases featuring a who’s who of underground metal players guesting in support of a slightly odd discography. It is strange to me that there aren’t a series of full-lengths after so much time spent between releases, but every shorter thing Frank has released still has moments to enjoy for the casual thrash, death, and (at times) power metal fan.

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ALBUM REVIEW: The Bleeding – Monokrator


Within the ferocious realm of UK underground scene, the all-around relentlessly fiery thrash/death unit The Bleeding have been hitting the ground since 2010, (technically) kickstarted by the release of first full-length entitled Rites of Absolution (2017) after several years of releasing EPs and demos, followed by second-full length Morbid Prophecy (2019). Having been noticeably compared to the likes of Exodus, Kreator, Death, and Demolition Hammer, they never cease to present the best of reaping thrash-death metal eclectic rawness.

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ALBUM REVIEW: Trespass – Wolf At The Door


 

When an album opens with nothing but high hat and then adds the guitars, you know you have a banger. Trespass’ Wolf At The Door (From the Vaults) is quintessential NWOBHM. Even in this digital age, Wolf At The Door still has the tonality of analog seventies metal albums. There is a grounding, brownness to the sound. The pacing and mixing give it a throwback, classic feel. The songs come complete with velvety guitar solos over hard-driving drums. ‘Wolf At The Door’ would sound awesome on vinyl as it has the tones and feeling that support analog listening.

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ALBUM REVIEW: Overkill – Scorched


 

Seems like we’re going to have to score another one for the bad guys. And by bad guys, I am referring to some of Thrash Metal’s pioneers who refuse to acknowledge the passage of time and are still melting amp heads like it was 1986.

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ALBUM REVIEW: Raider – Trial By Chaos


 

I’m a Thrash junkie. My addiction started as a teen when I started dabbling in Megadeth. From there I had to go harder adding more extreme bands to my growing addiction. Several years later and now a full-blown addict, it’s become increasingly more difficult to scratch that itch. When Raider showed up in my inbox, I knew I found what I was looking for.

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ALBUM REVIEW: Rhythm of Fear – Fatal Horizons


 

It’s been five years since Rhythm of Fear released their last album, Maze of Confusion. The crossover thrash band is back with more pummeling riffs and plenty of attitude with Fatal Horizons (MNRK Heavy) Just like any good thrash band, Rhythm of Fear targets the government, aliens and the occult in their sonic assault.

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