ALBUM REVIEW: Yoth Iria – Gone With the Devil


Yoth Iria is very aware that by self-identifying as a Black Metal band from Greece, the comparisons to Rotting Christ are bound to happen. Gone With the Devil (Metal Blade Records) focuses on sounding bigger and more melodic than their countrymen to establish their own identity. This results in a much more Pagan Metal-infused sound. There are no blast beats nor the usual sonic trapping of black metal to be found aside from the rasp of the vocals. Sung vocals do find their way on this album, and they fly in out of nowhere to create a more Dimmu Borgir-like dynamic. Unlike Dimmu they are not overtly symphonic, but weave in layers of folk-inspired melodies that can be heard on “Woven Spells of a Demon.”

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ALBUM REVIEW: Xasthur – Disharmonic Variations


Dark folk is an all-around enthralling genre with a wide range of well-known names, from Vàli to Ulvesang, but recently, what especially has been catching my attention is the new release from Xasthur – namely Disharmonic Variations, out via Lupus Lounge. Specializing in Black Metal and avant-garde releases, the label has worked with various names of note, including Nachtmystium and Austere. Continue reading →


Cormorant – Diaspora


 

Across a four-album lifespan, Bay Area’s Cormorant had consistently proven to be one of metal’s true and brightest hidden gems, offering a branch of Black Metal which takes as much worship from progressive giants such as King Crimson as it does from Extreme Metal’s icons. Still independent to this day, Cormorant have always showcased a meticulous detail that encompasses not only their rich and textured music, but even down to their vibrant, detailed and often awe-inspiring artwork. Having always shown true forward thinking and near limitless artistry, it is simply staggering that their fifth release Diaspora (self-released) breaks their mould even further, and is without a doubt their boldest offering to date. Continue reading →