ALBUM REVIEW: Common Wounds – All Night Blood


Formed in 2018 under the Dead History moniker, Phoenix, Arizona’s Common Wounds’ respective members are drawn from the likes of Run With the Hunted, Landmine Marathon, Suicide Nation, Seas Will Rise, and War Tongue while All Night Blood their first full-length release follows on from last year’s S/T debut EP. Continue reading


FESTIVAL REVIEW: Louder Than Life – Live at Highlands Festival Fair Grounds


KORN_LTL24-03@FogAgain-67

Photo Credit – KORN_LTL24-03@FogAgain-67

Danny Wimmer Presents is an acclaimed music festival production company that hosts some of the top entertainment experiences in the country. The pride and joy of their collection is Kentucky’s Louder Than Life Festival. The first one was presented in Louisville ten years ago and has flourished since then. With over 170,000 attendees at last year’s event and even more this year, it has grown to be one of the biggest rock festivals in the United States. To celebrate their 10th anniversary, they pulled out all the stops for this monumental milestone. With nearly one hundred acts performing over the course of the four-day event was a mammoth undertaking and well worth it.Continue reading


ALBUM REVIEW: Trash Boat – Heaven Can Wait


It is not until a band evolves and transforms their sound that they are able to unleash their fullest potential. With their last album Don’t You Feel Amazing? in 2021, British alternative rock outfit Trash Boat proved there was more to them than Pop Punk. With their fourth album Heaven Can Wait (Hopeless Records), the band has found their footing in their own unique blend of Rock, Metal, Punk, and experimental elements, taking the most captivating aspects of each to bring their brutal and contemplative vision to life.Continue reading


ALBUM REVIEW: Rat Boy – Suburbia Calling


Hitching their wagon to both Ska influences and Pop-Punk/Alt Rock proclivities, Rat Boy opts for colorful and lively compositions all across new full-length Suburbia Calling (Epitaph Records).Continue reading


ALBUM REVIEW: Vafurlogi – Í vökulli áþján


The Icelandic music scene has always been an integral part of me that shaped my identity into the person I am today, ever since I was a middle schooler (which is also what got me into learning Icelandic at 12. Who on earth learns Icelandic at 12, in this economy?). The metal festival Eistnaflug and the multi-genre festival Iceland Airwaves have always been on my ongoing bucket list.Continue reading


ALBUM REVIEW: The Story So Far – I Want To Disappear


As one of the highest acclaimed modern Pop Punk bands, The Story So Far has set a high bar for themselves to live up to with every new release. After almost six years since their last album Proper Dose proved their ability to go beyond standard Pop Punk, the band is continuing their legacy with their fifth album I Want To Disappear (Pure Noise Records). Continue reading


ALBUM REVIEW: Alien Ant Farm – mAntras


A lot can happen in a decade, from breakups and personal growth to illness and death, or even a global pandemic. So when a band releases their first album in ten years, you know it’s going to be one full of substance and genuineness. California alternative rock band Alien Ant Farm accomplishes just that with their sixth full-length album, mAntras (Megaforce Records). The record reintroduces the quartet through eleven tracks that detail everything they have been up to since their last record Always And Forever in 2014. Continue reading


ALBUM REVIEW: Helmet – Left


 

Helmet are a legacy band, who at over 30 years into their career– albeit with an early 2000’s hiatus– are still very much thought of as a specific, early mid-nineties era band when alternative rock was king. And for good reason, as they are a band who certainly had a huge influence with early Interscope Records such as Meantime (1992) and Betty (1994), providing a sludgy down-tuned version of the more commercial alternative styles of the time.  

Continue reading