Gatekeeping has become an ugly word, but perhaps we’ve become a little too entitled as a society, that we now think anything can be whatever we want it to be. When it comes to consuming a product, this can feel like false advertising. Thus making it my obligation as not only a music journalist but a fan of music to present things in the most honest context possible. As a kid in the eighties, I would often pick out albums based on the album covers alone since this was before the days of the interwebs, and I did not have access to any magazine outside of Hit Parader at the time. My worst waste of an allowance was buying Uriah Heap’s Abominog album. The monster on the cover made me think it would be at least as heavy as Iron Maiden, but it was sadly the band’s turn to commercial Pop Rock, so let me inform you that Colorblind’s Who Sold You This Truth – Was It Yours To Hold (Solid State Records) is not unlike what might happen if a modern male Pop vocalist sang for a Myspace-era “Metal” band.
Tag Archives: Punk Album Reviews
ALBUM REVIEW: Modern Life Is War – Life On The Moon
Life On The Moon (Deathwish Inc) is Modern Life Is War’s first full-length in over a decade. They have returned and are deviating from what you might expect from Punk in 2025. It does not stray dramatically from what the definition of Punk was in the mid seventies. They still carry most of the aggression, though layers of singing chime in for the chorus of “First Song On The Moon.” The guitars carry a frantic jangle rather than a Hardcore chug. “There Is A Telephone That Never Stops Ringing” finds the urgency building into an explosion. The kind of organic chaos The Stooges once kicked up. Continue reading
ALBUM REVIEW: Propaghandi – At Peace
On album number eight, long-running Canadian punk rockers Propaghandi continue to perfect their craft on At Peace (Epitaph Records) in a manner their peers can not keep up with. They self-identify as a progressive thrash band, which is a point driven home on several songs, but at the album’s core beats their rebellious punk hearts. Perhaps it’s because they are from Canada, but the political edge to their lyrics has always hit differently. They remain thoughtful and self-reflective, with this brooding carrying over into the metallic edge, coloring this album, which must be listened to through headphones, if possible, as it makes the guitar pop more than computer speakers. Continue reading
