So, here we are then. Forty-three years, seventeen studio albums and countless supporting musicians later, and the end is finally nigh for Megadeth. Yes, the band will remain on active duty for an extensive farewell tour, but for now, or until frontman Dave Mustaine changes his mind (an unlikely scenario), then this is indeed it. Recording-wise at least.
Despite Dissonance Theory (Century Media Records) being Coroner’s first album in 32 years, there is little effort to ride the coattails of former glories and revisit what they did on masterpieces like “Punishment For Decadence”; instead, they have updated their sound to smooth out any of the wrinkles from the eighties to present something very vital for 2025. This means some things have changed. Tommy Baron and Ron Royce return without Marquis Marky behind the kit, a change that is more pronounced when you are a trio. Continue reading
On album number eight, long-running Canadian punk rockers Propaghandi continue to perfect their craft on At Peace (Epitaph Records) in a manner their peers can not keep up with. They self-identify as a progressive thrash band, which is a point driven home on several songs, but at the album’s core beats their rebellious punk hearts. Perhaps it’s because they are from Canada, but the political edge to their lyrics has always hit differently. They remain thoughtful and self-reflective, with this brooding carrying over into the metallic edge, coloring this album, which must be listened to through headphones, if possible, as it makes the guitar pop more than computer speakers. Continue reading