ALBUM REVIEW: Death Lens – Cold World

The latest band to come out of Epitaph Records’ fine collection of artists is Death Lens. With humble beginnings of being essentially a “party punk” band to today, Death Lens have truly evolved into a whole new beast, bringing politics to the forefront of their music, with all that they’ve experienced since beginning the band in the early 2010’s. Cold World is set to be the culmination of that process. “It’s the desire to thrive in a deteriorating world” stated the band. With the genre being as saturated as it is, what can Death Lens bring to the table of Punk?Continue reading

Anti Flag – American Spring


There are far too many Punk bands who ‘talk the talk’ as far as being political and proactive about the issues that rile them. This is not the case with Anti-Flag who are arguably one of the only true Punk bands in the fact that they look to use their art and their talents to make a real difference – this album has been streaming on the Amnesty International website which in itself says it all. So what of American Spring (Spinefarm) itself then? Well if you’ve ever listened to Anti-Flag in the past then you know what to expect really – it is 40 minutes worth of politically fuelled melodic Punk at its best.

The album is jam packed with tracks which will both cause scenes of chaos in a live setting and trigger massive sing alongs. Opening track ‘Fabled World’ is a perfect encapsulation of both of these – as immediately the band hit you with a track which will make you want to dance around whilst sticking your fingers up at the Government. Because much like the rest of their discography, American Spring draws you in so easily to evoke the kind of emotion you perhaps didn’t even know you had. Of course with it being so politically heavy, this could very well turn people off – but to be honest at this stage in their careers they’re only really going to be adding to their fan base. A couple of other key highlights on the album are ‘Song For Your Enemy’ and ‘Set Yourself On Fire’ which again displays the band at their best. Justin Sane hasn’t really lost any of his fire as he crafts melodies around the lyrics to again evoke a brilliant sense of attachment and emotion to the message he is delivering.

Overall then, if you’re familiar with what Anti-Flag are all about, this is another good dose of their political modern Punk. Don’t expect to throw this album on and be sat in awe at the band changing the rulebook, because they haven’t. Instead what we’ve got is one of the bands who can truly call themselves “Punk” – and there are just not enough of those anymore.



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