ALBUM REVIEW: Ghostemane – AM: FM


AM: FM (Blackmage Records) finds Ghostemane’s brand of dark Trap Rap further blurring the lines into Nu-Metal. The opening track finds the crunch of late-nineties Metal guitars churning as guitar and sung vocals that fluctuate between a Chino-like whisper and a Johnathan Davis roar. This feels fresher since it’s not 1998, and unlike many of the nu-metal revival bands, it’s not trying to also make Metalcore Pop that pleases the kids. The more rapped verses of a song like “Miasma” are where Ghostemane (a.k.a. Eric Thomas John Whitney, Eric Ghoste, etc.) is the strongest. It is unlikely that the hip-hop community is ever going to be ready for what he does, so thankfully he is heavy and dark enough to appeal to metal fans with a broader perspective. Continue reading →


ALBUM REVIEW: Testament – Para Bellum


On  Para Bellum – (Nuclear Blast Records) Testament continues to uphold the legacy of quality decades in the making. Despite not being the household name like the bands of the Big Four, these had chops that rivaled Megadeth’s most shredding line-up. Of the Big Four, Slayer was the only band darker and more aggressive than the classic mid-to-late Eighties period for this band. While this new order marks the debut of Chris Dovas, the former drummer of Seven Spires, whose youthful exuberance gets the job done. Bassist Steve Di Giorgio (Death, Death To All), who goes back to “The Gathering.” Continue reading →


ALBUM REVIEW: Moon Destroys – She Walks By Moonlight


Moon Destroys is debuting their self-produced full-length album, She Walks By Moonlight (Limited Fanfare Records). The band is the brainchild of guitarist Juan Montoya (ex-Torche, MonstrO) and drummer Evan Diprima (Gold Pyramid, ex-Royal Thunder). Having released their 2020 EP, Maiden Voyage, they’ve spent the past few years refining their sound—crafting a powerhouse blend of heavy rock and psychedelia. This album will resonate with fans of bands like Elder, Kyuss, Earthless, and Fu Manchu.   Continue reading →