The more things change, the more they stay the same.
Having stuck around since the late 1980s, Anti-Flag has become old enough to address the same young, impressionable people they once were when they formed so long ago. Ever ambitious and straight to the point, the Pittsburgh-based punk rock foursome is as approachable as at any other time in their storied career with Lies They Tell Our Children (Spinefarm Records). Rife with on-brand “fuck the system” anthems and guest appearances by like-minded rabble-rousers, the songs pack such an easily consumable punch.
The three-headed behemoth that is Spite’s Dedication To Flesh (Rise Records) has all the makings of utterly decimating the status quo and completely redefining the burgeoning hardcore punk machine, and that should excite everyone.Continue reading →
It’s easy to forget how courageous and inspiring it is to lay all your cards on the table, especially as an artist in the public eye. To the layperson, it might feel uncomfortable if a few friends or family members find something out about them that’s personal or revealingContinue reading →
Two things remain certain when it comes to Texas pop-punk veterans Bowling For Soup: the band is wonderfully self-aware, and they remain the undisputed champions when it comes to bridges.Continue reading →
Weymouth-based punks Weatherstate have returned with their second album, Never Better (Rude Records), a lethargic commentary on the current state of the world. Bringing a unique edginess to pop-Punk, the band shines a light on the common outlook of society over the past few years. The vocals deliver an ironic unity of bouncy melodies and jeering grittiness. Though they provide a limited range in pitch and tone, the monotony works for the record’s apathetic theme.
Punk music continues to be the most outspoken genre of heavy music in terms of political/social issues. This is no different from the hardcore punk/grindcore outfit known simply as Dropdead. Formed back at the beginning of 1991 and has released many recordings over the years, this is only the third studio album, however, it has come about in perfect timing. Simply titled Dropdead 2020 (Armageddon), is a twenty-four-minute sonic attack on all things evil such as the ever-growing right-wing extremists, animal abuse, and overall human stupidity.