The gloom of fall is here, but at least we have great music! The Power Hour is back with just Chief Editor Ghost Cult Keefy! We look back at albums released in October 2024, and a forecast of new music out this month. Continue reading
The gloom of fall is here, but at least we have great music! The Power Hour is back with just Chief Editor Ghost Cult Keefy! We look back at albums released in October 2024, and a forecast of new music out this month. Continue reading
Time marches on!
We are officially in our awkward tween phase! October sees Ghost Cult Magazine’s 12th year around the sun! Established in the doomsday year of 2012, Ghost Cult Magazine has been a daily music news, interviews, and reviews portal dedicated to covering Rock, Metal, Punk, Metalcore, post-Hardcore, Hardcore, Indie Rock, Doom, Prog, Death Metal, Black Metal, Sludge, Industrial, Grindcore, Dark Folk, Synthwave, other related genres, and geek culture as well! Shout out to our founders, past collaborators, partners, and you dear readers!
Pontiac is a northern suburb of Detroit known for having colorful nightlife and last Tuesday evening proved why. Their downtown was a buzz with streets closed and stages set up. The Crofoot, an acclaimed entertainment complex, was hosting a community concert series with hundreds of locals gathered. The venue was also hosting Norway’s own Leprous who is on a headlining tour promoting their new album, Melodies of Atonement (InsideOut Music). Having provincial rap acts perform outside and having a hot, progressive band play inside showed off the versatility and innovation of the beloved music venue. Continue reading
Leprous is a band that stands apart from other progressive acts. Their ability to effortlessly experiment while remaining exceptionally grounded in their superior signature and skillful sound is uncommon. This Norwegian five-piece has been labeled as unique and is known to be creatively inventive within the heavy music sphere. Each record they make manages to explore new ground and deliver world-class wonders. They are about to release their eighth full-length record, Melodies of Atonement (InsideOut Music) and its distinctively different approach compared to their previous works proves once again how aptly ingenuous the band is. Continue reading
Sincerity is difficult to fake – ask any politician in the build-up to an election – yet post-rock Manchester collective Pijn (pronounced “pine”) keep it real on their powerful, atmospheric, heartfelt new album, From Low Beams Of Hope (Floodlit Recordings).Continue reading
It’s been a logical progression from the bong-laden wonderment of REZN’s 2017 debut to the band’s newest effort Burden (Sargent House), which finds Chicago’s sonic sorcerers expanding their minds and sound, with their newest offering feeling darker than previous offerings, though in a more hazy moonlit laced with a dopamine deficit-induced depression fashion, as the mood to the underlying themes. Continue reading
In September of 2023, Baroness released their sixth studio album Stone (Abraxan Hymns, review here) and with the summer concert season heating up, they are touring to support it. That tour recently came to the Harrisburg Midtown Arts Center (HMAC) in Harrisburg, PA.Continue reading
For quite some time now, Toronto has been the undisputed hotbed of Technical Death Metal, and what’s more, the sounds emanating from up in Ontario only seem to get better and better.Continue reading
Green Metal like Black Metal … hammered dulcimers instead of guitars … gruff, growling vocals as well as clean singing, plus choral voices and symphonic passages. Yes, Botanist are “plant based”. Yes, Paleobotany (Prophecy Productions) is heavy and proggy. And yes, it’s very different, in a good way. Continue reading
What an amazing show, so much so I was talking about it days later covering a fest. It was a simple one on a Wednesday night at TV Eye in Ridgewood Queens, with only two bands but Zombi played for a solid chunk of time that still left me wanting more. Continue reading