Like with their last record a three year wait brings us Friend of A Phantom (Mascot Label Group), the new album from those musically restless Scandinavians VOLA. Their fourth album serves up more of their dynamic wall of sound, which mixes Metal heaviness, Prog Rock changeability, in your face electronica and radio friendly hooks.Continue reading
Tag Archives: prog
PODCAST: Episode 594 – The Power Hour – October Recap and Album of The Month with Keefy
The gloom of fall is here, but at least we have great music! The Power Hour is back with just Chief Editor Ghost Cult Keefy! We look back at albums released in October 2024, and a forecast of new music out this month. Continue reading
Ghost Cult Magazine Turns 12 Years-Old
Time marches on!
We are officially in our awkward tween phase! October sees Ghost Cult Magazine’s 12th year around the sun! Established in the doomsday year of 2012, Ghost Cult Magazine has been a daily music news, interviews, and reviews portal dedicated to covering Rock, Metal, Punk, Metalcore, post-Hardcore, Hardcore, Indie Rock, Doom, Prog, Death Metal, Black Metal, Sludge, Industrial, Grindcore, Dark Folk, Synthwave, other related genres, and geek culture as well! Shout out to our founders, past collaborators, partners, and you dear readers!
CONCERT REVIEW: Leprous – Annex Void – Nighdrator Live at The Crofoot
Pontiac is a northern suburb of Detroit known for having colorful nightlife and last Tuesday evening proved why. Their downtown was a buzz with streets closed and stages set up. The Crofoot, an acclaimed entertainment complex, was hosting a community concert series with hundreds of locals gathered. The venue was also hosting Norway’s own Leprous who is on a headlining tour promoting their new album, Melodies of Atonement (InsideOut Music). Having provincial rap acts perform outside and having a hot, progressive band play inside showed off the versatility and innovation of the beloved music venue. Continue reading
ALBUM REVIEW: Leprous – Melodies of Atonement
Leprous is a band that stands apart from other progressive acts. Their ability to effortlessly experiment while remaining exceptionally grounded in their superior signature and skillful sound is uncommon. This Norwegian five-piece has been labeled as unique and is known to be creatively inventive within the heavy music sphere. Each record they make manages to explore new ground and deliver world-class wonders. They are about to release their eighth full-length record, Melodies of Atonement (InsideOut Music) and its distinctively different approach compared to their previous works proves once again how aptly ingenuous the band is. Continue reading
ALBUM REVIEW: Pijn – From Low Beams Of Hope
Sincerity is difficult to fake – ask any politician in the build-up to an election – yet post-rock Manchester collective Pijn (pronounced “pine”) keep it real on their powerful, atmospheric, heartfelt new album, From Low Beams Of Hope (Floodlit Recordings).Continue reading
ALBUM REVIEW: Rezn – Burden
It’s been a logical progression from the bong-laden wonderment of REZN’s 2017 debut to the band’s newest effort Burden (Sargent House), which finds Chicago’s sonic sorcerers expanding their minds and sound, with their newest offering feeling darker than previous offerings, though in a more hazy moonlit laced with a dopamine deficit-induced depression fashion, as the mood to the underlying themes. Continue reading
CONCERT REVIEW: Baroness – Red Fang – Lybica Live at Harrisburg Midtown Arts Center
In September of 2023, Baroness released their sixth studio album Stone (Abraxan Hymns, review here) and with the summer concert season heating up, they are touring to support it. That tour recently came to the Harrisburg Midtown Arts Center (HMAC) in Harrisburg, PA.Continue reading
ALBUM REVIEW: Sentiment Dissolve – The Orwellian Dream
For quite some time now, Toronto has been the undisputed hotbed of Technical Death Metal, and what’s more, the sounds emanating from up in Ontario only seem to get better and better.Continue reading
ALBUM REVIEW: Botanist – Paleobotany
Green Metal like Black Metal … hammered dulcimers instead of guitars … gruff, growling vocals as well as clean singing, plus choral voices and symphonic passages. Yes, Botanist are “plant based”. Yes, Paleobotany (Prophecy Productions) is heavy and proggy. And yes, it’s very different, in a good way. Continue reading