Sweden’s Wolfbrigade occupies a very specific place in hard-core. The band’s 11th album Life Knife Death might be their first for Metal Blade Records, but it does not venture far from the sonic ground they covered on the previous ten albums. This aligns them closely to Motorhead in a few ways, the first being they are steadfast in their dedication to burly hardcore champs. It charges at you with all the Punk and rocking fury you might expect from this band who infuses Entombed’s dense guitar tone with Motorhead’s reckless energy. The raw-throated vocals are more Lemmy-influenced than metal. There is a scant trace of the stomping sections you might expect from hardcore, though this is way heavier than punk, thus making it hardcore. Ten albums in they know what they are doing.Continue reading
Tag Archives: Wil Cifer
ALBUM REVIEW: Nick Cave and The Bad Seeds – Wild God
It can not be said that Nick Cave’s career has not aged gracefully. Sure, The Birthday Party feels like another life, but with each album released in the past two decades, Cave has successfully moved towards filling the gap Leonard Cohen’s death would leave. Wild God (Play it Again Sam) continues to uphold his legacy while carrying the hopeful shimmer of a life not met with the kind of tragedy Cave has known. After the death of his son, he is moving past the kind of grief that haunted some of his more recent work. Even at 66 years old, Nick’s vocals have held up, even if the title track is more spoken than sung.Continue reading
ALBUM REVIEW: Fontaines D.C. – Romance
This album is a huge leap of change since Fontaines D.C. released Skiny Fia in 2022. Romance (XL Recordings) finds the band wandering out into psychedelic Brit Pop. Drugs certainly might explain some of the changes, though Producer James Ford whose resume includes Gorillaz, HAIM, and Depeche Mode certainly explains the mix and how the sounds are presented here. When it comes to the groove of “Starbursters” it’s hard to argue with the results. This Irish band might have shelved The Clash influence that marked their more post-Punk flavor previously, but this does not feel like they are selling out. Continue reading
ALBUM REVIEW: Uniform – American Standard
New York City’s Uniform’s new album American Standard (Dias Records ) finds vocalist Michael Bearden in a soul-baring exploration of his struggles with bulimia. The album serves as Bearden’s catharsis. The strangled snarl of his yelled vocals paints an accurate picture of the self-loathing that comes with this neurosis. This captures a raw emotional tension that lurks under the mood of the songs. This is delivered through their ability as songwriters, which is a somewhat different story. The album begins with a sprawling opening track. For twenty-one minutes you are hit with a pounding drone, at times this grooves at it drones. This is the first of the sonic dichotomies this album is full of, so if you do not appreciate clashing concepts, it might not be for you.
EP REVIEW: GEL – Persona
As the world comes to an end, one can only hope punk and metal bands will get angry regarding our collective demise to provide a decent soundtrack. Thanks to record labels who want products that can be easily marketed a more pop element has been diluting genres that should be holding the middle finger up to the imminent mushroom clouds to come. A few brave bands are shunning this kinder and gentler direction. New Jersey’s GEL is one of them. Their new album Persona (Blue Grape Music) finds the band ready to give the middle finger, as they get right up in your face with their pumped-up take on punk. 2023’s “Only Constant” had not only momentum but did not compromise when it came to the songwriting. This time around the energy leans more into the hard-core side, throwing more weight behind its punches. Continue reading
ALBUM REVIEW: Aivvass – Spiritual Archives
The occult has a questionable history in Rock music, as it is typically used for window dressing with little substance behind it. Continue reading
ALBUM REVIEW: Adon – Adon
Decapitated drummer James Stewart bolsters Adon’s self-titled album (Neuropa Records). He adds more titanic depth to the stomp of the band’s larger-than-life grooves. The vocals are marginally more sinister than your standard Death Metal, with a cruel-hearted rasp that brings Deicide to mind in this regard. Continue reading
ALBUM REVIEW: Iress – Sleep Now, In Reverse
Iress once again blesses us with another dose of beautiful sonic depression on their new album Sleep Now, In Reverse (Church Road Records). The Los Angeles-based band weaves between genres drifting between darker ominous tones ranging from emotionally heavy to lighter breezy speculation. This is displayed in “Ever Under” which takes you soaring into the sunset from the haunted places in the Hollywood Hills. Dynamically once again everything is perfect. Michelle Malley’s vocals lurk around the corner of grunge-influenced riffage recalling bands like Curve or Lush rather than the doomy zip codes they once occupied. This album finds Malley’s vocals sitting up front in the mix as more of a focal point than the more atmospheric texture they once created. Continue reading
ALBUM REVIEW: Orange Goblin – Science, Not Fiction
Following the path blazed by bands like Kyuss and Monster Magnet who emerged from the Grunge scene, Orange Goblin was one of the main bands who kept the bong songs in rotation to help cement the sound we think of today as Stoner Metal.Continue reading
ALBUM REVIEW: Akhlys – House Of The Black Geminus
Over the past nine years since releasing The Dreaming, things changed for this band. Changed in the best way possible as Akhlys’ new album House Of The Black Geminus (Debemur Morti Productions) features a darker, more intricate layering of sounds, at least on the opening track of their new album. Continue reading