David Lynn Thomas, lead singer of Pere Ubu, Rocket From The Tombs, solo artist, and actor, has died after a long illness. He was 72 years old. A highly influential artist and personality in American music, Thomas formed the proto-Punk and pre-Alternative band Rocket From The Tombs (other members went on Dead Boys and The Saucers) and later formed Pere Ubu in 1975. Making an immediate impact, but highly volatile, Pere Ubu which first broke up in 1979, but reformed and recorded and toured for four more decades. Spanning genres from Art punk, post-Punk, avant-garde, musique concrète, New Wave, proto-punk, industrial rock, and alt-Rock, experimental, the band played their brand of music self-described as “avant-gaage”, and Thomas personally disliked Pere Ubu being lumped in with punk-rock as a rule. A great lyricst, vocalist, and frontman, he will be missed. RIP. Continue reading
Tag Archives: post-punk
GUEST POST: Ryan Cosmonaut Goes Track-By-Track for “Stars Are Coming” Album – Out Now
Ryan Michalski, who has been making music for many years under many names and bands, is currently going by Ryan Cosmonaut. He just released his new album Stars Are Coming, on The Doorway To label, and it’s an exploration of thoughtful lyricism and eclectic and killer songcraft. Ryan has given us a track-by-track breakdown of the depth and meaning behind each song on the record.Continue reading
ALBUM REVIEW: Kazea – I. Ancestral
Formed by two former members of Orochen (Jonas Mattsson and Rasmus Lindblom) plus Daniel Olsson of Hellsongs, Kazea have existed since 2023, and I. Ancestral (Suicide Records) is their debut album.Continue reading
ALBUM REVIEW: Hangman’s Chair – Saddiction
This review is going to break from the normal narrative we normally use here at Ghost Cult, where we steer away from how we feel personally about an album and try to stick to objective facts since Hangman’s Chair is one of my favorite bands. If you think that this will be a gushing love letter only fueled by my fandom, let’s correct that notion. My favorite bands are held to a much higher standard. My expectations here are exalted since I am emotionally invested in them. Continue reading
INTERVIEW: John Wright (No Means No) of Dead Bob Talks About His New Album, Punk History, and More
In this episode, Keefy chats with Punk Rock legend John Wright (No Means No) of Dead Bob! The band is currently on tour supporting their new album “Life Like!” John discussed his lengthy career, his reinvention as the leader of Dead Bob, his other endevours such as teaching, robotics, beer brewing, and more!
ALBUM REVIEW: Luna Honey – Bound
When the music leads you into strange lands and genre categorisations start to feel like a near-impossibility, thank the heavens for Luna Honey who save us from wandering the streets at night, lost in perplexed reflection. Continue reading
ALBUM REVIEW: Chat Pile – Cool World
Cool World (The Flenser) might not be the album that is going to make Chat Pile a household name, but is does exceed the expectations set by 2022’s God’s Country. This album exudes anger. It’s become a cliche for bands to say their new album is going to be their heaviest yet, Chat Pile let the music do the talking in this regard. Continue reading
ALBUM REVIEW: Anthers – Pedigree Pig EP
At no point on Pedigree Pig (Self-Released), the debut EP by Seattle Post-Punk three-piece Anthers, does it feel like this is a record recorded from down the road. Pedigree Pig, I’m quite sure, was recorded in a murky sci-fi sex dungeon on the moon — conveniently being rented out for band recordings, but smelling kind of sus. Continue reading
ALBUM REVIEW: Molchat Doma – Belaya Polosa
Belaya Polosa (Sacred Bones Records) is the fourth full-length release from Belarus’ Molchat Doma. The band consists of vocalist Egor Shkutko, guitarist, synth and drum machine player Roman Komogortsev (who is also the primary songwriter), and bass guitar and synth player Pavel Kozlov.Continue reading
ALBUM REVIEW: Nick Cave and The Bad Seeds – Wild God
It can not be said that Nick Cave’s career has not aged gracefully. Sure, The Birthday Party feels like another life, but with each album released in the past two decades, Cave has successfully moved towards filling the gap Leonard Cohen’s death would leave. Wild God (Play it Again Sam) continues to uphold his legacy while carrying the hopeful shimmer of a life not met with the kind of tragedy Cave has known. After the death of his son, he is moving past the kind of grief that haunted some of his more recent work. Even at 66 years old, Nick’s vocals have held up, even if the title track is more spoken than sung.Continue reading