Punk Rock Icon Cheetah Chrome (Rocket From The Tombs, Dead Boys, Solo), Has Died


One of Punk Rock’s most endearing musical founders and legends has died. Cheetah Chrome has died. He was 71. News of his passing was shared on social media from the official Dead Boys accounts. Born Eugene Richard O’Connor in Cleveland in 1951, Chrome was part of punk’s big-bang-style origin story with proto-punk leaders Rocket From The Tombs in Cleveland on guitar, from mid-1974 to 1975. Then, co-founding the Dead Boys, the band Chrome was most famous for, they released two incendiary albums and the all-time classic Punk song “Sonic Reducer” before breaking up in 1979. Both bands reunited later over various lineups and eras to widespread acclaim. In addition to those two towering bands, Cheetah had a strong solo career and collaborated with everyone from Ronnie Spector to Joan Jett and The Blackhearts. RIP. 

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The Schizophonics Sign to Alternative Tentacles and Share New Single “Black Pleather”


 The Schizophonics band promotional photo featuring Pat Beers, Sarah Linton, and Lety Beers, San Diego garage punk trio, Alternative Tentacles, 2026

San Diego garage punk power trio The Schizophonics signed to Alternative Tentacles and dropped their debut single “Black Pleather” from their forthcoming album Burning Floor, featuring a cameo from Melvins drummer Dale Crover in the video. North American Fall tour kicks off September 17. Watch it now and grab your tickets below. Continue reading


ALBUM REVIEW: Alice Cooper – The Revenge of Alice Cooper


The Revenge of Alice Cooper (earMusic) is the first album with the original Alice Cooper band since Muscle of Love. Making it the band’s 8th album together, and Cooper’s 30th. Bob Ezrin is handling production duties to help them remember what they did back in the day. It opens with the lead single “Black Mamba,” which is slinky and theatrical. Rather than try to recapture the fire that was burning when they recorded Muscle of Love, they are side-stepping this favor of touching on a more “Schools Out” style of borderline Broadway-drama mixed with the Garage Rock sound Cooper has been dipping his boots in the past few albums.  Continue reading